Márcio Fonseca

In 1997, before the visit of the pope to Rio de Janeiro, Captain Nascimento from BOPE (Special Police Operations Battalion) is assigned to eliminate the risks of the drug dealers in a dangerous slum nearby where the pope intends to be lodged.

After a bloody invasion of the BOPE in the High-Security Penitentiary Bangu 1 in Rio de Janeiro to control a rebellion of interns, the Lieutenant-Colonel Roberto Nascimento and the second in command Captain André Matias are accused by the Human Right Aids member Diogo Fraga of execution of prisoners. Matias is transferred to the corrupted Military Police and Nascimento is exonerated from the BOPE by the Governor.

At a dinner party with seven friends, everyone decides to open up about their private lives on each other's cell phones. But what was supposed to be fun turns into chaos.

After taking a very nasty fall on Christmas Eve, grinchy Jorge blacks out and wakes up one year later, with no memory of the year that has passed. He soon realizes that he’s doomed to keep waking up on Christmas Eve after Christmas Eve, having to deal with the aftermath of what his other self has done the other 364 days of the year.

Comedic portrait of middle-aged women in Rio de Janeiro, including overworked housewife Magali and her over-the-top twin sister Magda, psychoanalyst Paula and her troublesome daughter Melanie, and stage star in crisis Lise.

One day and one night, in a rustic country house rented by Luciana and Marcelo, who—despite having been together for eight years—have never been openly serious about their relationship. Their neighbors and friends, Cláudio and Fabiana, are seemingly happy. But it only takes getting to know them better to realize they have a very toxic relationship. Paula, Marcelo’s friend since his teens, soon understands she is entering a minefield. She decides to have a fun weekend despite the conflicts she might spark.

Based on a true story, the film follows Clara, a math teacher who finds success online as an educational influencer. Good-natured, sarcastic, and sometimes mocking, she likes to keep everything under control—however, she must navigate vulnerability when she discovers she has breast cancer. With courage and resilience, Clara faces both bad days and better ones alongside her teenage daughter, mother, and loyal friends. On this journey of healing, she has the chance to celebrate life and redefine her relationships.

Two moments in the life of Pedro. First in 1997, he lives with his family in Rio de Janeiro and works at Gás do Brasil, a company that is undergoing a tough restructuring process, with layoffs and early retirements. Soon, privatization will come. In the second moment, two years later, Pedro lives retired in his hometown Barbosa, in the company of his childhood memories, his dog and his girlfriend. By interweaving these two moments in time, we put ourselves in Pedro's skin and experience his fears and delights.

José Dourado uses a double identity to be able to have fun without compromising his image as a rich heir and telecommunications shareholder. His best friend, Agenor Nabuco, makes use of this to invade José's farm and, then, he meets the seductive Cecília Feijó, his friend's niece. Agenor is Patrícia Lobato's cousin, with whom José is in love, but Aunt Augusta, Patrícia's mother, is against the relationship. Love impediments will also be imposed by housekeeper Dona Glorinha and pastor Saulo Malaquias. Then, a plot from the past appears to alter the course of the characters in the story.

The world of African royalty, the fight for justice and the love between an African princess and a Brazilian worker in this 1920s fable, full of romance, adventure and humor.