Jenn Strom

The Stranger is a man with no name, no memory and absolutely nothing left to lose. But when he finds himself hunted by both the FBI and the Russian mob, this amnesiac decides to fight back. Pursuit cannot stop him. Torture will not break him. And with every beating, bullet and betrayal, he’ll remember another piece of the horror that took away his career, his family and his identity.

In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. Twenty years later, her search for a specialized medical treatment leads her to the door of someone who was once exceptionally close to Josh. And so it is that she finally has the chance to truly know her brother through his chosen family. Captured over five years in which synchronicities continually manifested, Platzer’s documentation of these encounters gently asserts that both grieving and healing are meant to be communal experiences.

A flatbed editing table is snapped on. A woman’s hands reach in and out of the frame, cutting and editing a reel of film. She splices, scrubs, rewinds and rolls the sound and images. Fragments of animated archival footage flash across the screen: women walking in chains, protesting with placards, speaking at podiums. We hear bursts of words and the percussive whir and click of the Steenbeck—until a “message” is finally revealed.

Documenting the creative process of two master boat-builders as they practise their art and find a way back to balance and healing.

Since his death in 2007, the renown of Canadian painter E.J. Hughes has only continued to grow. For decades, his extraordinary works highlighting the landscapes of British Columbia have captivated the public, but his personal life is less well known. A solitary man dedicated to his art, Hughes led a fascinating life, struggling to make ends meet until a discovery of his work led to its acclaim. Having attempted to work as a fisherman during the Depression, he became a war artist during the Second World War and never gave up his passion for painting, even when devotedly caring for his ailing wife.

The Road Forward is an electrifying musical documentary that connects a pivotal moment in Canada’s civil rights history—the beginnings of Indian Nationalism in the 1930s—with the powerful momentum of First Nations activism today. Interviews and musical sequences describe how a tiny movement, the Native Brotherhood and Sisterhood, grew to become a successful voice for change across the country. Visually stunning, The Road Forward seamlessly connects past and present through superbly produced story-songs with soaring vocals, blues, rock, and traditional beats.

An imaginative take on the origin story of Bill Reid, one of Canada’s most iconic Haida artists.

An inside look into the world of taxidermy and the passionate artists from all over the world who work on the animals.

This short film is a portrait of Tofino, BC intertidal artist Pete Clarkson as he crafts his most ambitious and personal project to date: a memorial to the 2011 Great East Japan earthquake and tsunami. He, like so many of us around the world, was deeply affected by the disaster. Years later, as splintered and mangled timber and other objects started to wash ashore, the disaster hit home again for Clarkson, and the inspiration for his memorial was born. In Clarkson’s caring hands, the remnants from the Tohoku region take on a life of their own as he shapes them into a unique public sculpture. The result is an evocative memorial that is a site of remembrance and contemplation, and an emotional bridge connecting an artist, his community and a people an ocean away.