Jason Hreno

Holden returns home from college and is surprised to find his overpowering competitive father married to a much younger woman Lana. Holden quickly falls for the beauty and charisma of his step mother. A passionate affair begins between son and stepmother.

A mysterious death of a young college student occurs late one night at a prestigious New England college...

Falling victim to a glib con artist named Michael (Stewart Bick), Texas housewife Diane (Peta Wilson) loses all her money, a disaster that drives her husband Randal (Anthony Lemke) to suicide. Unable to get justice through the official channels, Diane mounts her own plan of revenge. This involves assuming a new identity, trading in her blonde tresses for a redheaded "do", moving to a small town, and systematically seducing the man who ruined her life. One of six "no frills" TV movies produced in Canada for the Lifetime cable network at a flat cost of 2 million each,

Donna is married to a workaholic who travels frequently for his job. When he takes a long term assignment overseas, Donna feels abandoned and turns to her daughter’s schoolteacher for companionship. She is unaware that he is a dangerous murderer and thief who preys on lonely married women. When her husband returns she is forced to deal with her betrayal and bring him to justice.

The Hunger is a British/Canadian television horror anthology series, co-produced by Scott Free Productions, Telescene Film Group Productions and the Canadian pay-TV channel The Movie Network. Though it shares a title with the feature film The Hunger the series has no direct plot or character connection to the film, and was created by Jeff Fazio. Originally shown on the Sci Fi Channel in the UK, The Movie Network in Canada and Showtime in the US, the series was broadcast from 1997 to 2000, and is internally organized into two seasons. Each episode was based around an independent story introduced by the host; Terence Stamp hosted each episode for the first season, and was replaced in the second season by David Bowie. Stories tended to focus on themes of self-destructive desire and obsession, with a strong component of soft-core erotica; popular tropes for the stories included cannibalism, vampires, sex, and poison.