Karina Aktouf

Writer Léo Shepherd lives in rural France together with his daughter Virginia, who manages his affairs. One day Virginia gets a call from the Swedish Academy. Léo has won the Nobel Prize for Literature. His estranged son Paul tries desperately to contact him, but is denied every time by his sister. When Léo starts traveling to the ceremony in Stockholm by motor bike, Paul decides to follow him and try to speak to him. Clearly Léo doesn't want to be followed, starts speeding and gets involved in a accident, but isn't badly hurt. The police confuse another motorist for Shepherd and announce his death. Paul, driven by his childhood experiences, decides to kidnap his father.

Two social outcasts in 19th century Eastern Europe, Alexandre and Ulysse, become friends and settle down to live alone on the edge of a marsh that is reputedly haunted by demons, monsters and goblins. These two men have been outcasts all their lives. Alexandre was raised in a nomad family that traveled from town to town, being rejected by the people of his homeland. Due to his physical abnormalities, Ulysse has always been pushed aside ever since his childhood. When a strange murder is committed in a nearby village, the peasants turn their suspicions on Alexandre and Ulysse, because they are different. In the eyes of the villagers, they are demons that must be hunted, burned and killed.

Walid works in a grocery store thanks to an integration program. After a difficult day where clients have argued and his boss yelled at him, he tries to end his life. He is saved by Antonin, an extroverted employee who decides to follow him everywhere in order to avoid an irreparable gesture. Together, they roam the city, multiplying chance encounters. Antonin even decides to bring him to his support group. Regardless of the results, he will do everything in his power to make his new friend want to live again.

It’s Christmas Eve, but the Algerian taxi driver living in Canada is more caught up in Ramadan. By chance he picks up a compatriot, a former pop star thought dead, and the evening gets more interesting.

One summer morning, Abel decides to solve his parents' financial problems by taking matters into his own hands. Helped by his best friend Edwin, he roams the neighborhood in search of easy money and soon finds himself unable to resist the call of crime.

Alexandre Barrett brings dozens of comedians together to talk about COVID-19 in a way where absolutely anything goes! This special event offers a moment of unifying entertainment that takes the coronavirus by storm and talks about its many impacts on our everyday lives in a humorous way.

The Hunger is a British/Canadian television horror anthology series, co-produced by Scott Free Productions, Telescene Film Group Productions and the Canadian pay-TV channel The Movie Network. Though it shares a title with the feature film The Hunger the series has no direct plot or character connection to the film, and was created by Jeff Fazio. Originally shown on the Sci Fi Channel in the UK, The Movie Network in Canada and Showtime in the US, the series was broadcast from 1997 to 2000, and is internally organized into two seasons. Each episode was based around an independent story introduced by the host; Terence Stamp hosted each episode for the first season, and was replaced in the second season by David Bowie. Stories tended to focus on themes of self-destructive desire and obsession, with a strong component of soft-core erotica; popular tropes for the stories included cannibalism, vampires, sex, and poison.