María Paz González

Ignacio, a disrespected cook at a Mexican monastery, can barely afford to feed the orphans who live there. Inspired by a local wrestling hero, he decides to moonlight as the not-so-famous Luchador "Nacho Libre" to earn money for the monastery -- not to mention the admiration of beautiful nun Sister Encarnación.

Eight years after having been raped at a beach near Santiago, a young filmmaker tells the story of the assault, the revictimizing judicial processes, and the friendship that helps her heal, in dozens of video-diary entries that comprise an artfully crafted, intimate documentary. A question remains: What is a rape, really, and when does it end?

An inside look of Chilean education from six teachers' point of view.

It’s Christmas season. Ten years have passed since Lina traveled to Chile to work as a domestic worker away from her son who lives with her grandmother in Peru. Manuel, a former employer, ask her to supervise the construction of a swimming pool for his daughter Clara in his new house. In this half-inhabited space, Lina spends the day taking care of Clara, while at night, she has furtive sexual encounters with strangers that confront her with her deep solitude.

A tour across Chile's diverse scenarios through the observation of bus stops and passenger's small talk.

One morning in June 2005, the guards of the National Museum of Fine Arts of Chile, noticed that a millionaire Auguste Rodin sculpture had been stolen. 24 hours after the event a shy art student returns the piece arguing that he had stolen it as part of an artistic project. A documentary that explores the dilemmas of the artist and contemporary art.

More than sixty years after leaving high school, former classmates Alicia, Gema, Angelica, Ximena and Maria Teresa are still devoted to their regular catch-ups in which they exchange gossip and reminiscences over elaborately presented afternoon teas. Impeccably turned out, the ladies’ free-wheeling tea-time chats run the gamut from mortality and marital infidelity to soccer and twerking.

Traces the lives of the Hartings, a blind Montreal family of three who make their living singing in the city's subway stations. The Hartings lost their only sighted child Hassan in a tragic drowning accident, and have since turned to the teachings of Russian mystic Grigori Grabovoi, hoping to resurrect their son. Resurrecting Hassan is an exploration of this family's legacy of grief, tragedy and abuse; the film will follow them on their path to redemption.

Three different ways of facing the apocalypse five hours before the end of the world. fantastic and romantic moments of love, an anxious waiting time and the desperate search for pepper in an apocalyptic and crazy world. Events cross and mix. Time seems to get beyond control.How does one live out the last five hours and 38 minutes before the end? We see the last. /// A cinco horas del fin del mundo, se plantean tres maneras diferentes de afrontar el apocalipsis.

Jerónimo is an antisocial local man who rents rooms in his home to expats so he can snoop around their belongings. One day Sanna arrives, a girl who will change Jerónimo’s life. They start getting closer until Jerónimo discovers that Sanna is hiding something in his house.

A photograph of an unknown Mapuche great-grandmother is the starting point of this documentary essay. Through the analysis of said picture, conversations with family members, a trip to southern Chile cities, and an actress who re-enacts the photo, we see the existing prejudice against indigenous people.

The Amateur Soccer Referee Federation has a new board of directors, who face the challenge of renewing their image after a 90-year history. But these leaders receive a broke organization and headquarters that are in precarious conditions. They have also aged, but have nothing to lose and will work together to reinvent themselves.

A being from the beyond returns to Chile in 2019, embodied in a worker who dreams of social upheaval. Viral videos intertwine with fiction to narrate the experiences of a polarized country that wanders between drama and absurdity, illusion and failure.

PROPAGANDA is a follow up to the 2013 presidential campaign, in the midst of major social unrest in recent years. A single-car caravan crossing the desert, a protest flag covers the entire Alameda a candidate copuchea surveys on a dressing room. PROPAGANDA proposes a visual journey through the most extraordinary places of election, inviting reflection on the complex relationship between politicians and citizens, through the eyes of several filmmakers in the country.

A journey where lies become reality and where the reality takes the shape of a film: that of a documentary road movie based on imaginary facts