Cristóbal Valenzuela

Chile, 1984. As a wave of UFO sightings — and a military dictatorship — sweep the country, a group of short-wave radio operators receive mysterious communications from a nearby island. Through the crackling voices, they learn that a highly developed extraterrestrial race has taken residence on Friendship Island and is offering the listeners the promise of a better world.

The discovery of audio tapes recorded by Eugenio Berríos, known as the "chemist of Augusto Pinochet", forms the basis for reconstructing his rise and fall. His life traces a thin black line through Chile's recent history—dictatorships, lethal poisons, and mountains of cocaine—within a political life so violent it ultimately led to his own self-destruction.

A young man wanders through a stylized Valparaíso, seeking to overcome a recent breakup.

When everyone is supposed to be celebrating the arrival of a new year, the Chilean director Cristobal Valenzuela takes to the streets of Santiago to give voice to another facet, less colorful and festive, undoubtedly invisible, of this eve. Lonely pedestrians who roam the streets of the city inhabit the frame of a handheld camera that allows them to express themselves. Comments of hopelessness and tiredness, contrasting with the sky lit by fireworks, give us a glimpse to that other social image.

One morning in June 2005, the guards of the National Museum of Fine Arts of Chile, noticed that a millionaire Auguste Rodin sculpture had been stolen. 24 hours after the event a shy art student returns the piece arguing that he had stolen it as part of an artistic project. A documentary that explores the dilemmas of the artist and contemporary art.

A trans-media storytelling which combines comics, interviews, animation and film noir.