Denise Cochran

A former Secret Service agent grudgingly takes an assignment to protect a pop idol who's threatened by a crazed fan. At first, the safety-obsessed bodyguard and the self-indulgent diva totally clash. But before long, all that tension sparks fireworks of another sort, and the love-averse tough guy is torn between duty and romance.

Col. Cooper leads a group of American P.O.W.s, battling their way to freedom as Saigon falls to the Viet Cong.

One of the great mavericks of cinema, John Cassavetes has earned a reputation as the godfather of American independent movies. The actor-turned-filmmaker invented a realist style of unadorned narrative films heavily influenced by documentaries. This in-depth analysis of Cassavetes' life and work features interviews with key collaborators and ensemble regulars, and explores the making of classics like "The Killing of a Chinese Bookie," "Opening Night" and "A Woman Under the Influence."

A documentary about the making of "To Kill a Mockingbird."

Retrospective documentary of the film "Bugsy"

A womanizer gets his own cooking show and, ironically, the females who call in end up airing their relationship problems to him.

An impressively done new documentary taking a look back at the making of this picture. Interviews with everyone from director Pollack to composer John Barry take us through the memories of the making of the picture. In between interview segments are looks and thoughts on and at the history of the story and Africa itself. Especially entertaining is when Streep and Pollack talk about working with the animals.

The origin of the story for Star Trek VI: The Undiscovered Country with its real world histioricity is documented here

Documentary about the making of the 1982 film, featuring interviews with the cast and crew.

A wonderfully entertaining series of interviews with Pollack, Newman, Field and Luedtke about the film, its development, its themes and the experience of making it.

An overview of the making of the film Jacob's Ladder (1990).

Producer Allison Tripp wakes up dazed and confused in an LAPD safe house. When Detective Mark Janus asks her about the dead bodies found in a Los Angeles warehouse she begins to remember... they had been shooting an ultra-low budget movie for infamous producer Ozzie Felcher when men with guns had come by and massacred the entire cast and crew. Janus is relentless in his questioning. He wants to know everything, before the trail to the killers gets cold. The more she talks the more she is forced to relive the nightmare