Bruno Derksen

1928: Lyovuschka, a Soviet worker, is cast in the role of Trotsky for Eisenstein‘s latest film, but quickly finds his dreams of an actor‘s life shattered when Trotsky falls into Stalin‘s disfavor. Exiled from his homeland, he poses as a wealthy baron and finds himself stuck in a glamorous seaside resort in Germany awaiting a barge that will take him to Hollywood. A summer romance kicks off when he meets the eccentric factory owner Octavia Flambow-Jansen - it's just too bad there are vampires around.

A charismatic young woman's intelligent film about making the leap from supporting roles in German TV dramas to play the leading role in her own life. A courageous piece of performative autofiction which invents its own rules as it unfolds.

An essayistic architecture documentary dwelling on modern-day Ukraine, Constructivism, and the Soviet Revolution.

The story of the dog from the title, who in a frame narrative explains how he came to be transformed from an unemployed communist filmmaker into a canine with a philosophical bent. Unable to finance his new project, young Berlin-based director Julian tells foreign exchange student Camille that his job in the countryside is research for an upcoming film. When Camille offers to help, he is forced to uphold the lie. The plantation isn’t the proletarian idyll he had hoped for, but fortunately the reincarnation of Francis of Assisi provides spiritual insight and a new aim in life.

Feldarbeit tells of an encounter between a young woman and her father which takes place on his asparagus farm to the west of Berlin. In calm and exploring images between the poles of documentary and fiction, Henrike Meyer is reaching out, looking for some kind of reconciliation.