Michael König

Tim Albery's Olivier-nominated production for The Royal Opera delves deep into the psychology of Wagner's cursed wanderer and his beloved Senta, detailing the monomania and uncompromising idealism that finally drives them apart. Michael Levine's elemental single set is dominated by a rolling metal hull that represents the Dutchman's phantom ship, the poverty of Senta's home and the treacherous sea.

A black comedy about the dream of freedom and the difficulty of obtaining this: While Molly (Eva Mattes), Elisabeth (Katja Flint) and Maria (Ornella Muti) are great friends, but at the same time completely different. Molly is a difficult stressed housewife and mother of three children, Elisabeth is the perfect career woman and Maria uses already in their third marriage sex appeal to get ahead in life. But one day it turns out that the three except their friendship still connects another great thing in common: They are all tired of her life as a wife. And so begins the story of a rabenscharzen comedy about the dream of freedom and the difficulties to achieve this. The only question is: How are they merely their husbands going on?

Axel Köhler’s production of Der Freischütz at the Dresden State Opera was described by Die Presse as “a minor miracle in Dresden”. In the words of the Salzburger Nachrichten, Köhler “scored a bulleye” with his sombre and satanic interpretation of Weber’s Romantic opera about love, temptation, souls sold to the Devil, obsession andfaith. According to the Financial Times, Christian Thielemann and the Dresden Staatskapelle conjured up a sense of “mortal terror from the orchestra pit. […] Thielemann is in command of every detail. That makes for utterly gripping listening.”

Inspired by Carl Maria von Weber's Der Freischütz, the film opera Hunter's Bride traces the romantic rivalry between two veterans of the Napoleonic Wars who each vie for the heart of the same woman.

A hard-hitting new production of Kurt Weill’s Rise and Fall of the City of Mahagonny by the Catalan collective La Fura dels Baus at the Teatro Real de Madrid. Composed in the 1930s by Kurt Weill and Bertolt Brecht, this is a mordant satire on capitalism and the inexorable industrialisation of a society in which the ultimate crime is not having money. In twenty scenes the authors tell the story of a city lost in the middle of a desert and run by three thugs; in Mahagonny food, sex, gambling and violence rule supreme.