Olivier Martin

Former Special Forces officer Frank Martin will deliver anything to anyone for the right price, and his no-questions-asked policy puts him in high demand. But when he realizes his latest cargo is alive, it sets in motion a dangerous chain of events. The bound and gagged Lai is being smuggled to France by a shady American businessman, and Frank works to save her as his own illegal activities are uncovered by a French detective.

The idea for this film about a generation and its lost ideals came to Romain Goupil after attending several funerals of friends in the fall of 1996, where the '68 generation, now in influential positions in media or politics, kept meeting each other. It seemed as if the revolution that they had tried to make was being buried with each coffin. A MORT LA MORT is in some ways an homage to this generation, now in their fifties. They were a privileged generation that thought that they could change the world, doing everything that their parents failed to do. There were no actual deaths in France as there were in Germany or Italy, but the system was not ideal for personal issues or for love. There was always a scapegoat for the injustices of the world, be it capitalism or imperialism. That way the blame could be placed somewhere else. Some of the '68 generation are still faithful to the principles of their youth and still continue to fight for the illusions of the past.

A little town in the north of France, 1941. Blanche has three children. She worries about her husband Victor, who often goes out at night. Actually, Victor belongs to the Resistance. Soon, Blanche will be a resistant too. In the network, there is also Germinal, the hairdresser. His daughter Marie knows everything and asks to be part of it... Chronicle of the occupation and of the resistance through the eyes of the women.