Deborah Colker

Acting

Deborah Colker

Born December 6, 1960 · Rio de Janeiro, Rio de Janeiro, Brazil (age 65)

Deborah Colker (Rio de Janeiro, December 6, 1960) is a Brazilian dancer and choreographer, known for her critically acclaimed national and international ballets, she mixes dance movements with audacious juggling.

Known For

És tu, BrasilÉs tu, Brasil · 2003
És tu, Brasil
9.02003
MovieDocumentary
A series foccusing the creative process of 4 young Brazilian artists: Carlinhos Brown (music), Tunga (painter), Deborah Colker (choreographer)and Alexandre Herchcovitch (fashion designer) through the eyes of director Murilo Salles.
Rio's Love SongRio's Love Song · 1994
Rio's Love Song
6.11994
MovieDrama
Four love stories which portray a wide gamut of emotions and desires against the backdrop of Rio de Janeiro. "Elephant's Stomp" : the story of a highway patrol officer who is infatuated with a mulatto dancer at a local nightclub. "Drao" : a publicity man and a boutique owner who face a crises in their marriage. "You Are Beautiful" : two homeless teenagers seek love amidst their personal misery. "Samba of the Great Passion" : a book maker who is charmed and captivated by the voice of a female singer coming from a building across the street. Characters in search of love in order to escape from the boredom, loneliness and helplessness of their lives.
Cirque du Soleil: OvOCirque du Soleil: OvO · 2009
Cirque du Soleil: OvO
10.02009
MovieMusicComedy
Dive into the enchanting world of OVO, where a charming ladybug captures the heart of a quirky new insect in a vibrant neighborhood. This dazzling show immerses you in a bustling ecosystem brimming with life, showcasing the extraordinary adventures of insects as they eat, flutter, and court each other amidst a whirlwind of energy and emotion. When a mysterious egg appears, curiosity ignites, revealing the beautiful complexities of love and life in this hidden realm. With its stunning visuals, impressive acrobatics and heartwarming story, OVO invites you to experience the magic and wonder of nature like never before.
The Metropolitan Opera: El Último Sueño de Frida y DiegoThe Metropolitan Opera: El Último Sueño de Frida y Diego · 2026
The Metropolitan Opera: El Último Sueño de Frida y Diego
7.02026
Movie
American composer Gabriela Lena Frank’s first opera, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz. Fashioned as a reversal of the Orpheus and Euridice myth, the story depicts Frida, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Music Director Yannick Nézet-Séguin conducts the Met-premiere staging of Frank’s opera, a “confident, richly imagined score” (The New Yorker) that “bursts with color and fresh individuality” (Los Angeles Times).
Beethoven é popBeethoven é pop
Beethoven é pop
MovieDocumentary

Filmography

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The Metropolitan Opera: El Último Sueño de Frida y DiegoThe Metropolitan Opera: El Último Sueño de Frida y Diego · 2026
The Metropolitan Opera: El Último Sueño de Frida y Diego
7.02026
Movie
American composer Gabriela Lena Frank’s first opera, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz. Fashioned as a reversal of the Orpheus and Euridice myth, the story depicts Frida, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Music Director Yannick Nézet-Séguin conducts the Met-premiere staging of Frank’s opera, a “confident, richly imagined score” (The New Yorker) that “bursts with color and fresh individuality” (Los Angeles Times).

Director