Joe Stankus

When an ex-cop's deathbed confession hints at a terrible crime, a dutiful daughter is forced to confront the differences between the stories we tell ourselves and the truth.

Helen, a lonely and isolated woman, is given the opportunity to connect with people from her past using a new augmented reality device.

Interwoven fragments of one day in the filmmaker's childhood.

Two octogenarians become tasked with driving their grown child to work.

Joe Stankus’s MARQUEE (2012) is a lyrical black-and-white visit with now-retired longtime IFC Center usher Larry Alaimo as he changes the letters on the theater’s iconic marquee and reminisces about a life at the movies.

Novelist Evan is excited to share the news that he’s been accepted to a prestigious summer writers’ colony with his husband and their friends over an intimate dinner party. But the big reveal doesn’t go as planned in this finely calibrated domestic-drama-in-miniature.

The word “personal” doesn’t begin to describe the profound intimacy of this unconventional family portrait, constructed with delicacy and humor by married filmmakers Ashley Connor and Joe Stankus. Neither can that description reveal the artful and intelligent self-awareness of their approach: It Goes That Quick is neither confessional nor exposé but rather something singular and rich—a timeless mosaic of American life, filmed over the course of eight years within one extended Northeastern network of aunts and uncles, parents and grandparents, adults and newborns in which everyone plays a dramatic role that’s no less constructed for being real. By the end of this fleet, loving feature, you feel like a member of the family.

A documentary filmmaker talks us through the steps of his latest project — a wooden stool.