Paul Tana

A father's love is not enough to keep his dreams and his family together in this drama. Joe Aiello (Tony Nardi) is an Italian immigrant who settled in Montreal and opened a construction firm in the early '60s. Thirty years later, Tony's business is a solid success, and Tony dreams of passing this legacy along to his family. But Tony's wife has passed on, his son Nuccio (Hugolin Chevrette Landesque) is developmentally disabled, and his daughter Bennie (Michele-Barbara Pelletier) can't decide what she wants to do with her life, dropping out of college against her father's wishes shortly before she is to graduate. Despite his disappointment with Nuccio and his exasperation with Bennie, Joe has a fierce love for his children, but Bennie feels that her father's affection is starting to crush her more than it nurtures her.

A group of actors putting on an interpretive Passion Play in Montreal begin to experience a meshing of their characters and their private lives as the production takes form against the growing opposition of the Catholic church.

Montreal, 1904. Giuseppe and Ninetta own a boarding house where they welcome their fellow Sicilians. One day, as he comes to the defence of one of his boarders, Giuseppe accidentally kills Theo, his French Canadian best friend’s son-in-law. This drama depicts the tensions between people from different ethnic backgrounds and their life-changing impact. Based on a true story, 'The Saracen Woman' paints a portrait of Italian immigration to Quebec and the affinities and conflicts that arose from the clash of two different cultures.

Using archival documents, fictions, current accounts, and excerpts from a theatrical creation, Paul Tana paints a nuanced portrait of the Italians of Montreal. From the first waves of immigration at the beginning of the century to the men and women taken to a prisoner of war camps during World War II, to the hardships and joys of building vibrant lives in Montréal. Caffè Italia Montréal chronicles a significant chapter in Canada’s history.

Les Grands Enfants does not tell a story in the traditional sense. Instead, it offers an honest image of people's dreams of change : people often unemployed, dissatisfied in some way with their work, or caught up in complicated social relationships. The film is set in Montreal.