Pierre Emö

In the summer of 1979, gay porn producer Anne sets out to film her most ambitious film yet, but her actors are picked off, one by one, by a mysterious killer.

Two sex workers meet in a Berlin brothel. In a place where the female body is a commodity, they experience moments of happiness. A feisty love story about attraction, fears and self-determination.

In the summer of 2018, novelist Tanja Arnheim and web designer Jerome Daimler have a seemingly ideal long-distance relationship in the heat of Berlin, the idyll of an inherited bungalow in the Hessian Main Valley and many train journeys in between. But the carefully cultivated balance of trust and detachment between the two hyper-reflective millennials is shaken when Tanja realizes on the night of her thirtieth birthday that the relationship could become existential.

The latest in Peccadillo’s critically acclaimed series – now established as a leading showcase for new and emerging queefilm-makingng talent from around the world – features a fresh and exciting selection of the very best contemporary gay short films. Each self-contained drama in this diverse and thoughtfully curated collection offers fascinating and insightful new perspectives on the gay experience – sensual, affecting, sometimes provocative and always entertaining. The 8 short films are: Have We Met Before? (2019); The Act (2020); First Position. (2019); Winter [Invierno] (2021); The Suit Weareth the Man (2020); Infinite While It Lasts [Infinito Enquanto Dure] (2019); Melon Grab (2017); Thrive (2019).

Thirsty one night stands, confused straight boys, rooftop confessions and a ménage-à-trois that explodes with hilarious results - it's all just part of the package in this latest offering of spirited story-telling from our Gallic friends. The short films are: Discreet [Scred] (2017); Distinguished Feelings [Sentiments distingués] (2019); Rue des Roses (2012); First Love [Premier amour] (2021); The Edge [4 fromages] (2019); Without Transition [Sans transition] (2021); Fragile [Babtou fragile] (2021).

Lars, a male nurse from Saarbrücken, moves to Berlin with his lover, Roland. They begin to renovate an apartment and their happiness seems almost complete. What Roland doesn’t know is that, while secretly checking out Berlin’s night life, Lars is also experimenting with a deadly poison.

Far away from the big city, Janine is unwelcome, yet an eye-catcher: a sensual, queer subject of projection with wine-red hair. Jan Eilhardt travels with her to engage with his own rural past, opening old wounds and infiltrating a hostile milieu.

Non-binary film maker Toni Karat invited queer and sex-positive people of the ‘Berlin porn bubble’ for this impressive documentary about narcissism and self-love. In authentic and touching self-reflective interviews ten protagonists who are as diverse as possible – lesbian, gay, queer, trans, non-binary and often over 50 – tell their sexual stories and contemplate their personal journeys and struggles. It’s an almost philosophical little masterpiece with a lot of honesty and authenticity on both sides of the camera.

Short docudrama exploring the history of sex in the homosexual community from the 1970s to the present day, and how the internet has changed the way gay men meet forever.

Hugo, a thirty-year-old homosexual, is left by his partner and goes through different stages of mourning to rebuild himself (depression, change of style, partying, drugs, sex, saturation point, then a new encounter).

On a chilly Sunday morning, a man awakens to the mischievous stare of a unicorn that seems to have come straight out of his dreams. Carried along by an early morning sensuality, his fantasies transform his lonely apartment into a garden of delights, in which this young creature can freely reap the fruits of his desires.

At the end of June in Paris: Mireille accompanies his friend Thomas, a solitary and restless being, during a walk to Père Lachaise. Thomas is very agitated, worried. He confides to Mireille that he wishes to be cremated in the event of death. In September: after a period of holidays, Mireille returns at her home. She and his friends do not any more manage to contact Thomas. After investigation, Mireille learns that Thomas died in August, only. As he has no family his body was interred in the square of the needy of the new cemetery of Thiais. Mireille wants to honor the last wills of his friend, but the law is strict: to dig up the body and cremate it, the services of the city hall have to have the signature of a member of Thomas's family. Mireille learns that Thomas had a younger brother, Melchior. But But the young man, marginalized, abandoned for years by his older brother, refuses to sign the licence to dig up.

A short introduction to the film Knife+Heart (2018).

A young farmer of 31 years, Sagat, heads to a cemetery in the middle of the night. The next morning, Roman, a 29-year-old guy, is found sitting in Sagat's living room. It seems he has never been in that place before. Yet, something suggests otherwise. Who is he? What ties them together? Why is he there, and for how long?

Nicolas Wolf, an Austrian who's just inherited his grandmother's Parisian flat, is shaken with fear as an unexpected nightly visitor refuses to leave. But no-one but Nicolas seems to be able to see the menacing stranger.

A bunch of horny gayboys journey to a witch’s manor in Normandy.

Mehdi is a hopeless romantic. But he’s too uptight according to his best friend, Olive, who urges him to loosen up and have some fun with gay dating apps.

The writers Cesare Pavese and Jean-Luc Lagarce had a tragic destiny. The first committed suicide after a sentimental disappointment and the second died of AIDS. Sex holds a central place in their diaries.

Initiated in 2016, this artistic endeavor brings together non-binary, transgender, and queer individuals to explore their experiences beyond external definitions, redefining identity and corporeality with their unique idioms. In Endless, these explorations unfold through various media—performance, music, and VR—culminating in a hypnotic film that resembles a narcotic vision.

The film shows the passing of a day in the life of a young woman. In the beginning, she is alone in her apartment. It seems that she is going through a separation from her beloved person (a female). She is trying to cope with this loss by reading (a book by Renée Vivien and a poem by Goethe), moving around things in the apartment, thinking about the lost person. As the day ends and night falls, a nightmare-like vision haunts her - and a new path of hope opens up. This is the primary story of the film, told in a particular way, by means of storyboard and off-narration, inspired by the works of Marina Abramovic, Chantal Akerman, Guy Gilles and Chris Marker.

This short film is a sexual fantasy and romantic fiction, where John becomes voyeur of a cruising moment, which grows into a fantasy erotic quintet trip. Like a juicy acid lemon taste that turns their sexual drive on. John is going out from the factory suddenly a strange sensation of unbreathing drive takes him. He arrives in a hidden street where he can watch Cliff cruising here. Attracted by Cliff he starts to observe him behind the wall.

Kathy Acker’s Empire of the Senseless is a lecture that critiques cultural desensitization and communication breakdowns, serving as a timeless socio-political parable. Paris-based artist Geoffroy C. Dedenis works with videos, photos, and collages, merging experimental and narrative styles across genres.

Urinals have always had a bad reputation. Bringing colour and life to these long-gone meeting places in the shadow, that was my challenge. I wanted to restore their disturbing share of sensuality. For generations of men who were looking for adventures with other men, public toilets were privileged places for meeting and recognition.

Jo, a sailor with an off-duty liberty pass, walks by a gay population at the seashore. His encounter with Cuir takes him into a dream-like universe, where the faces of the men he saw under a bridge become his deepest fantasies, all in a place of freedom and promiscuity: the RubiX.