Joanne Brennan

Upon hearing that the death of a student during the final exams results in top marks for the rest of the class, two desperate friends conspire to kill the class bully in an attempt to pass.

Joe is unhappy with his life and when he gets turned into a vampire he's offered the perfect chance to escape... but he soon realises that he can't escape himself.

On the site of a former children's home, the remains of ten babies and one adult are found. At the dead man's ring, a former psychologist recognizes her missing husband. But the police do not believe her and so she goes on her own tracks.

After sisters Emily and Mary Wilde lose their lives at a party in 1871 they find themselves stuck in purgatory unable to move on. The sisters navigate through unraveling the hidden truths of their past. But who is really in Denial?

James Allen "Laurence O'Fuarain" is a successful, controlling, thirty-something banker living alone and working in Dublin city at the tail-end of the recession. When a family tragedy occurs at the hands of his employer he decides to take action which forces him to face a terrible childhood secret. Meanwhile, his mysterious co-worker Alison "IFTA - nominated - Sarah Carroll" has her own agenda, which puts her on a collision course with James, triggering a dark spiral of deceit, revenge, and murder. Director Alan Mulligan's first feature is a deliberate and slow-paced look at modern day greed and desire, and society's ever-growing need for control.

Bobby's tales of hunting game on the plains of Tanzania inspire a sinister side in her mollycoddled co-worker Lucas.

A group of young men and women in Dublin in 1916 are embroiled in a fight for independence during the Easter Rising. The story begins with the outbreak of World War I. As expectations of a short and glorious campaign are dashed, social stability is eroded and Irish nationalism comes to the fore. The tumultuous events that follow are seen through the eyes of a group of friends from Dublin, Belfast and London as they play vital and conflicting roles in the narrative of Ireland's independence.

When Lorna Brady, a survivor of one of Ireland's Magdalene Laundries, wakes to find a corpse in her house, she has no idea who the dead woman is or if she's responsible for the apparent murder, because she has long suffered from extreme bouts of sleepwalking.