Emily Kuhnke

Raoul Wallenberg born 1912 Stockholm is send to Budapest 1944 July. His job is to save Jewish from Holocaust, his methods are non conventional. January 1945 arrested by Russians at Budapest Siege. Man who saved lives never returns home.

Denny is living the high life in Berlin and is having sex with a lot of girls. Denny got a mother. This mother just got a new husband: Frank. Denny hasn't talked to his mother in 10 years. Frank wants to change this. He takes a train to Berlin. Who's gonna be the first to mature?

In this hypnotic continuation of PPPasolini, filmmaker Małga Kubiak explores the dreams Pier Paolo Pasolini never got to realize. While the first film imagined his final hours in a surreal version of Stockholm, Epilog takes us further—into the world he longed to escape to. Pasolini had planned to move to Morocco, to live, write, and disappear from Italy’s gaze. But his death ended that story too soon. PPPasolini Epilog is the imagined afterlife of that plan: a haunting, sensual film filled with echoes of Petrolio, his unfinished novel, and reflections on exile, desire, and creation.

The story is set some time in the past, or maybe some time in the future. Given a time-frame, we would say somewhere between the American moonwalk, and Coca- Cola's serious ambition to turn the moon into an advertising logo. Our central character, the young lift operator, is formed by experience into cynicism, detachment, and apathy. The story builds to its crescendo: of public outrage and state crackdown; the banality of commercial interest and the monumental rape of nature. Set in a large newspaper office, the Lift is a place of relative safety. But floor by floor, with each passenger in his or her tableau, the atmosphere of mayhem seeps in. Finally our young character leaves the situation, far-gone in hopelessness and disinterest.

A privileged music student and an off-the-rails youth share an unlikely moment of intimacy with a violin.