Nia Gwynne

In May 1940, the fate of World War II hangs on Winston Churchill, who must decide whether to negotiate with Adolf Hitler or fight on knowing that it could mean the end of the British Empire.

In 1984, a group of LGBT activists decide to raise money to support the National Union of Mineworkers during their lengthy strike. There is only one problem: the Union seems embarrassed to receive their support.

England, early 20th century. The future writer and philologist John Ronald Reuel Tolkien (1892-1973) and three of his schoolmates create a strong bond between them as they share the same passion for literature and art, a true fellowship that strengthens as they grow up, but the outbreak of World War I threatens to shatter it.

In 1990s Belfast, a woman is forced to betray all she believes in for the sake of her son.

It is 1944 and the D-Day invasion has failed, Germany's army have successfully invaded England and the Nazi war-machine is now heading west towards Wales. A group of women in an isolated Welsh village near the English border wake up to discover all of the their husbands have mysteriously vanished. They have headed into the mountains to join the Resistance.

King Lear has ruled for many years. As age begins to overtake him, he decides to divide his kingdom amongst his children, living out his days without the burden of power. Misjudging his children’s loyalty and finding himself alone in the wilderness, he is left to confront the mistakes of a life that has brought him to this point. Antony Sher plays King Lear, one of the greatest parts written by Shakespeare in this, one of Shakespeare’s most epic and powerful plays.

In 1979, when Margaret Thatcher's first government breaks a promise to establish a Welsh language television channel, a wave of civil disobedience follows. One man - Gwynfor Evans - threatens to starve himself to death unless the government comes good on its manifesto pledge. The reimagining of one of the most colourful chapters in contemporary Welsh history.

The decay of Rome reaches violent depths in Shakespeareas most bloody play. Titus is a ruler exhausted by war and loss, who relinquishes power but leaves Rome in disorder. Rape, cannibalism and severed body parts fill the moral void at the heart of this corrupt society. Shakespeareas gory revenge tragedy presents us with murder as entertainment, and, as the body count piles up, poses questions about the nature of sexuality, family, class and society.