Mickey Camilleri

An unexpected love story set in WW1 France between a young Australian baker who has deserted the front line, and a grieving French woman, who puts her own life at risk by sheltering him from the authorities.

Wallace is an efficiency expert, managing the high-profile downsizing of a major auto parts factory. But when he is hired to evaluate a small moccasin factory which seems from another era, Wallace has to reconsider the rapid modernization he advocates, as he is confronted by the human faces such plans hurt.

The story of sisters Vicki and Beth, when Vicki begins an affair with Beth's intriguing French husband.

Seymour is a loner. A small, shy, introverted eleven year old whose parents are separated. By chance Seymour meets the beautiful, effervescent but drug-addicted Angie, who is also lonely and trapped in her own unhappy world. The relationship that develops offers strength to them both and through the highs and lows of a long hot summer they gradually learn to face the truth about each other and themselves.

A man and his wife are partners in a small business, a service station, that is struggling to survive financially. They are visited by his brother, a divorced middle-aged man, who has taken a break from his stressful career in a big business corporation.

Blue Heelers was one of Australia's longest running weekly television drama series. Blue Heelers is a police drama series set in the fictional country town of Mount Thomas. Under the watchful eye of Tom Croydon (John Wood), the men and women of Mount Thomas Police Station fight crime, resolve disputes and tackle the social issues of the day. We watch their successes and their failures and learn to grow with them and their loved ones as the heart of the series develops.

Kath & Kim is a character-driven Australian television situation comedy series. The series was created by, and is written by Jane Turner and Gina Riley who play the title characters: a suburban mother and daughter with a dysfunctional relationship. The series main characters consist of Kath Day-Knight, a cheerful 50-year-old woman, her self-indulgent daughter Kim Craig, Kath's boyfriend and second husband, the metrosexual Kel Knight, as well as Kim's estranged husband Brett Craig and her lonely, overweight "second best friend" Sharon Strzelecki. The series is set in the fictional suburb of Fountain Lakes in Melbourne. It is primarily filmed in Patterson Lakes. The series was conceived by Turner and Riley in the early 1990s as a weekly segment of the Australian comedy series Fast Forward. The skit was then developed into a full-series. The first series of Kath & Kim premiered on ABC TV on 16 May 2002, with three further series following, while a television movie, entitled Da Kath and Kim Code, was broadcast nationally on 25 November 2005. Kath & Kim has garnered much critical acclaim since its debut, winning two Logie Awards, for "Outstanding Comedy Programme" and the "Best Television Drama Series" award at the Australian Film Institute Awards. In Australia, it has become a pop culture phenomenon, and is a success with audiences nationwide. Internationally, the series has spawned a cult fanbase, and in 2006 it was announced an American version of the series would be produced, to air on NBC. Riley and Turner served as executive producers on the US version. The American version was also picked up by Seven, which debuted the program on 12 October 2008, just three days after its debut in the United States.

Halifax f.p. is an Australian television crime series produced by Nine Network from 1994 to 2002. The series stars Rebecca Gibney as Doctor Jane Halifax, a forensic psychiatrist investigating cases involving the mental state of suspects or victims. The series is set in Melbourne. The producers of the film were Beyond Simpson Le Mesurier; Australian Film Finance Corporation and aired on the Nine Network Australia Pty Ltd 21 Episodes of 90 and 102 minutes each were produced, and the series has screened in more than 60 countries. The budget for each episode was an average of $1.3 million. Funding came in part from the Australian Film Finance Corporation and Film Victoria.