Pedro Gui

Split into three chapters, "Cabrito" tells the story of a man haunted by his loved ones. The film begins with the story of his father and how the family became cannibal. The second part focuses on his mother and how she awakens the worst in her son with her twisted religiousness. The last part is focused on the main character's final catharsis, when he kidnaps his first love, Rosalita, and reproduces the inhuman bizarre caring to which he was subjected in his family relations.

A documentary that follows Rogéria's life and artistic trajectory from the duality between artist and character, between Rogéria and Astolfo.

Gledson is a lonely worker who left his hometown with the dream of becoming an actor in Rio de Janeiro. Tormented by vague memories of his past, he sees his life change when he begins to write a book about Teresa, a prostitute who goes through death expecting a child and ends up on a fantastic island. When a friend of Gledson decides to turn his book into a film, reality and fiction mix: while Teresa has to decide what to do with the child born on the island and the writer deals with the challenge of becoming a creator, the film changes when the director confronts the experience of her own motherhood.

A decadent middle class family. The house becomes a character. Little by little, the rooms are being closed. The characters are expelled and forced to live in common spaces. The mysterious homosexual butler and the family matriarch subvert the incomprehensible relationships there.

Partner of Aldir Blanc and creator of the Samba do Trabalhador, Moacyr Luz is followed by Tarsilla Alves' cameras for a week. A seasoned bohemian, we follow Moacyr's wanderings, filled with plenty of booze, gatherings with friends, and beautiful sambas that qualify him to be called the "ambassador" of the capital of Rio de Janeiro.