Bruno Buzzi

Mimmo is a construction worker who only wants to live in peace, but has to work as a debt collector for his uncle. Everything changes when he meets Tanya, a beautiful, street-smart girl who shares his dream.

On July 19–21, 2001, over 200,000 people took to the streets of Genoa to protest against the ongoing G8 summit. Anti-globalization activists clashed with the police, with 23-year-old protester Carlo Giuliani shot dead after confronting a police vehicle. In the aftermath, the police organized a night raid on the Diaz high school, where around a hundred people between unarmed protesters—mostly students—and independent reporters who documented the police brutality during the protests had took shelter. What happened next was called by Amnesty International "the most serious breach of civil liberties in a democratic Western country since World War II."

Lena is seven months pregnant and she's ready to sell the baby in her belly. Ermanno agrees to pretend to be the father. Fabio, the uncle of Ermanno, will pay them to buy the child that he and his wife Bianca cannot have. A fake adoption between relatives, a loophole to bypass the law in Italy. A world in which money is the only standard of value, the only thing that matters. Ermanno and Lena are two strangers that must pretend in public to be a couple and live together until the delivery. They are used to only thinking about themselves and they fight all the time. But living side by side they start becoming what they were only pretending to be.

Sasha is a 25-year-old orphan who asks Nicole, a married Frenchwoman in her forties, for advice to seduce Benedetta, his long-unrequited love. The two eventually bond over their shared past traumas and pains of love, until...

An adaptation of the short story collection by Pere Calders.

Aitor is a director making a film about a lonely man looking for love, called “Soul Ache.” While he uses his auditions to meet women, he really longs to cast actress Myriam Mezieres in the film.

Love, business, anxieties, friendships, feuds, and resentments paint the picture of the main story, that of a group of criminals who for nearly fifteen years, from 1977 to 1992, cherished an illusion: that of conquering Rome. The Lebanese, Freddo, Dandi, Patrizia, and Commissioner Scialoja are some of the characters inspired by the true story of the Magliana gang. As stated by Aldo Grasso, the first season of the series gives more space to the crime scene, that is, the criminal exploits of the Magliana gang, while the second season delves deeper into the "behind the scenes" of the crime: thus, the gang's repositioning after a key plot event, and the effects and questions this has provoked in the protagonists' consciences.