Andrés Cediel

“Shellmound” is the story of how one location was transformed from a sacred center of pre-historic cultures to a commercial mecca for modern people. What began as a Native American burial ground three thousand years ago, was transformed first into an amusement park, and later an industrial age paint factory. Now, the tainted ancient soil sits beneath the glittering lights of Banana Republic, Victoria’s Secret, and the AMC movie theaters. “Shellmound” examines the decisions made during the recent toxic cleanup, excavation, and construction of the Bay Street mall through the eyes of the city of Emeryville, the developer, the archaeologists, and the native Californians who worked on the site.

An examination of the weaknesses of forensic science in the American justice system.

As the detention of migrant children has climbed to record-breaking levels under President Trump, FRONTLINE and The Associated Press investigate what’s going on inside federally-funded shelters — and the lasting impact on children held in U.S. custody. Also in this two-part hour, a report on the sexual exploitation of women and girls in Iraq.

An investigation into how teenagers from Central America were smuggled into the U.S. by traffickers who promised them jobs and a better life — only to force them to live and work in virtual slavery to pay off their debt.“Trafficked in America,” produced by Daffodil Altan and Andrés Cediel, with Altan as correspondent, shines light on a major labor trafficking case in which Guatemalan teens were forced by a third party contractor to work against their will at a farm in Ohio. Through the lens of this case, the documentary presents a look inside the reality of labor trafficking in America.

“We Still Love Here” is a short documentary told through the eyes of die-hard fans, capturing the final home game of the Oakland A’s in intimate detail. As Oakland bids farewell to its last pro team, the film reflects on the Coliseum as a refuge—a place where the city’s diverse community came together to celebrate baseball, belonging, and “The Town” itself.

Since it began in 1983, Frontline has been airing public-affairs documentaries that explore a wide scope of the complex human experience. Frontline's goal is to extend the impact of the documentary beyond its initial broadcast by serving as a catalyst for change.