Andrei Kostrichkin

After his father's death, teenager Viktor Tsaplin was sent by his stepmother, who suspected the boy of stealing watches, to an Odessa orphanage. The guys met the new guy unfriendly, and when the teacher's antique watch was missing, Victor was considered the culprit. After enrolling in a nautical school and once going to sea with tipsy fishermen, Victor crashes a boat. He is being expelled from the college. Deciding to start a new life and in a new place, Victor leaves to work as a fireman in Kamchatka.

Lost movie.

The young machine operator Fyodor Soloveikov marries Stesha from a neighboring village and moves to live with her parents in a house. Young and energetic, he suffocates in the petty bourgeois world of the family, living away from collective farm life. Quarrels arise between young people, where old men pour oil of discord. Not receiving proper support from his wife, Fyodor leaves home.

The film tells a story about the extraordinary journey of the modest little girl Gerda. She is looking for her friend Kai, who was kidnapped and taken to her kingdom by the powerful evil Snow Queen. In search of her beloved friend, Gerda ends up in the castle to the cunning, insidious and at the same time funny king, meets forest robbers. On the way, the girl will have many obstacles before the decisive battle with the Snow Queen. But Gerda’s faithful heart will overcome all adversity...

The film tells about the Decembrists’ revolt in the south of Russia. Right before the Decembrist Revolt 1825 a chevalier of fortune decides that it's time for a game. But on whom to make a bet? He asks the cards. But he's not the only one who makes the choice.

In the short-lived Commune of Paris, a conscripted soldier falls in love with a Communard saleswoman. As the army cracks down on the revolutionaries, the soldier is forced to fight against the Commune, and the pair's love is put to the test.

A fairy tale film about the clever tightrope walker Tibule, who fights alongside the armorer Prospero and all the working people against the tyrants, the three Fat Men, who rule the state until the young heir Tutti comes of age. The freedom fighters are aided by the kind Dr. Gaspar and the brave acrobat girl Suok, who has to pretend to be a doll to sneak into the palace and free Prospero.

Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused.