João Abel Aboim

Analysis of the history and memory of the Romani community that has lived for centuries in Portugal.

The Soares are a bourgeois couple, living in a good neighbourhood of Lisbon, but João, their son, is not integrating well in that pattern. He attends more political meetings than classes at the Faculty of Economy, and gets a job but that's short lived because his female boss makes him her lover. He longs for the coffee shops, and the companions of old, but he doesn't get true love from anyone.

In the hot summer of 1975, in the middle of the revolution, in the heat of political and social conflicts, a crime is committed in a slum neighborhood on the outskirts of Lisbon. Analyzing this crime, as its causes, its protagonists, its local and national context, the film proposes a hot reflection on the Revolutionary Process in Progress (Processo Revolucionário em Progresso ) that throughout the year and throughout the country, and on how political contradictions, Social and economic rights that divided Portugal as a result of the military coup of 25 April 1974.

A Noite de Walpurgis is a fantastic tale by Hugo Rocha, admittedly inspired by Goethe's Faust. The narrator-protagonist reveals a story told to him by a third person. Here the third person is an old peasant woman that the protagonist finds in a walk through the mountains, and that tells a story that in turn would have been told to her by the grandmother.

Cape Verde, 1964. At the feet of a mighty volcano, the traditional Cape Verdean society is undergoing a steady change. The old land-owning aristocracy is disintegrating. A class of "mulattos" begins to emerge, with a trade-based financial power that threatens the landlords. A new identity arises, a mix of old and new, of African and Portuguese culture, sensual and dynamic. The songs of Cesária Évora follow this inevitable transformation. From the novel by Henrique Teixeira de Sousa.

For a 13-year-old boy like Filipe, the prospect of a summer vacation in the Azores with his father is like a dream come true. But dreams are sometimes just a way to avoid facing reality.

In the 1950s, a handful of prisoners attempt a daring escape from Peniche, a castle on the north coast of Portugal for the political dissidents of the regime.

A documentary following the process of sculpting in stone, from the creation to the final work of art.

An approach to the life and work of Jorge de Sena, relying on the testimonies of Mécia de Sena (author of the texts she reads) and the insertion of brief segments of fiction from texts (poems, fiction and theatre) by the writer.

Dina (Maria Santiago) is a teenager brought up by her grandmother, employed as a housekeeper for a fairly well-off family. Since Dina only has her grandmother, she spends her time fantasizing about her life and reading comic-book love stories -- activities that do nothing to improve her dim perspective of reality. Due to these handicaps and her own inexperience, she gets involved with Django (Luis Lucas), a shady character who decides to use her as bait to attract men and then rob them. One day when both are in a taxi with robbery in mind, the driver gets suspicious so Django shoots him, and so does Dina. She escapes and runs away -- though it seems like she has learned too little too late. This story unfolds against a time of upheaval in Portugal (mid-1970s) when the military government is formulating a constitution and social changes are happening everywhere.

After failing in his attempt to escape, a teenager is taken back to his family.

The journey of an intellectual Creole. Before returning from Lisbon to Luanda, he stops in the Cape Verde islands in search of his ethnic and cultural roots.