Giorgos Papalios

A mysterious disappearance takes place during the shooting of a commercial on the beach in the early morning hours. An unknown man suddenly comes into the shot, then walks into the sea holding an umbrella and seizes to exist, before the bewildered eyes of the whole crew. After the police are notified, a confusing array of red tape manoeuvers begins, revealing the close affiliations of the Authorities with the advertising company manager and the whole mechanism of Mass Media, all of which are trying not to investigate the event but to conceal or even exploit it in their own interest. Only the musician involved in that commercial is trying to figure out what really happened.

A traveling theatre troupe tours the Greek countryside from 1939 to the early 1950s, staging “Golfo the Shepherdess”. As the years pass, its members endure persecution, betrayal, executions, and exile. Their personal stories become entangled with the country’s major historical events, in a seemingly endless cycle of violence and loss.

Michalis returns to the tobacco growers of his rural village after having spent some time in the city and persuades them to form a collective, rather than suffer the poverty-inducing prices they are paid for their crops by tobacco brokers. They agree not to sell to any of the brokers and start to form a farmers' group. When one of the farmers breaks the agreement and is found dead, Michalis is accused. However, rather than expose the farmers' plight and give publicity to the brokers' greed, the motive the government gives for the killing is thi asimanton aformin, for unimportant reasons.

Within the assertive climate of the years after the restoration of democracy in 1974, a fringe group, the blind, many of them beggars, protested by demanding Bread and Education and not Beggary.

The assassin of a prominent trade unionist takes a conservative MP hostage, throwing the government into a state of disarray.

An experimental film featuring a split screen. On the right, a number of people appear moving upwards - symbolizing the ruling class. On the left, we see a production line in a factory, where the products of human labor pass by. Towards the end, the products become human body parts. The film adaptation of Karl Marx's Capital.

Athens 1967. The political assassinations and the background between the government and foreign powers, on the occasion of the "Polk Case", where an innocent leftist was convicted for the murder of an American journalist in Greece.