Acting

Paul Barge

Born June 6, 1890 · Paris, France

Died January 25, 1960 · aged 69

Paul Barge is a French actor and director known for his work in film and television. He directed Le paradis des riches (1978) and has acted in various productions, including the TV series Les cinq dernières minutes (1958) and Émile Zola ou La conscience humaine (1978). Barge's contributions to French cinema and television have been marked by his versatility and dedication to the craft.

Known For

Touchez Pas au GrisbiTouchez Pas au Grisbi · 1954
Touchez Pas au Grisbi
7.21954
MovieCrimeThriller
Gentleman gangster Max and his partner, Riton, pull off their last, most successful heist and find themselves comfortable enough to retire in the style they enjoy. However, Max confides the details of the theft to his younger mistress, Josey -- who has secretly taken up with ambitious young rival gangster Angelo. Angelo then has Riton kidnapped and demands the stash of gold as ransom, which threatens Max's dreams of the perfect retirement.
Mystery TourMystery Tour · 1947
Mystery Tour
5.41947
MovieComedy
The basic premise: A retired bus driver fulfills his lifelong dream of providing an extended "voyage surprise" (the title is translated as "Mystery Tour") for unsuspecting vacationers. They soon realize, while riding in the old man's home-made bus, that he hasn't bothered to plan any kind of itinerary. As a result, they end up in completely preposterous situations, of course. Voyage surprise!
Paris FrillsParis Frills · 1945
Paris Frills
6.41945
MovieDramaRomance
Philippe Clarence, a famous Parisian dressmaker, seduces his friend's fiancee. But, for the first time in his life, this is for real. The film is also a sharp picture of the fashion world.
Casque d'OrCasque d'Or · 1952
Casque d'Or
7.31952
MovieDramaCrime
At the end of the 19th century, during a ball in Joinville, on the outskirts of Paris, Georges, a former delinquent working as a carpenter, meets Marie, a young woman connected to a criminal gang.
IphigénieIphigénie · 1968
Iphigénie
8.31968
MovieDramaTV Movie
On the shores of Aulis, the Greeks prepare to attack Troy. But their ships are unable to set sail because the gods are holding back the winds necessary for departure. Agamemnon consults the oracle. The solution is tragic. To appease the goddess Artemis, whom he had offended, he must sacrifice his own daughter.
ManonManon · 1949
Manon
6.81949
MovieDramaAdventure
Port of Marseille, France, recently liberated from the German yoke. Caught as stowaways aboard a ship, Manon, a young woman who was accused of collaborating with the Nazis, and Robert, a freedom fighter who saved her from reprisals, tell the captain about the many challenges they have had to face in order to survive.
White PawsWhite Paws · 1949
White Paws
5.41949
MovieDrama
An eccentric man endangers himself when he makes advances toward the girlfriend of a saloon keeper.
Holiday for HenriettaHoliday for Henrietta · 1952
Holiday for Henrietta
7.11952
MovieComedy
Two scriptwriters argue about the fate of Henrietta, a charming and gamine shopgirl. One favors a comical path for their heroine, who is overcome with sentimental love for a young photographer on Bastille Day. The other has a more thrilling and dastardly fate in mind for her. Among the film's irresistible conceits is Hildegarde Neff as an oversexed circus bareback rider.

Filmography

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We Are All MurderersWe Are All Murderers · 1952
We Are All Murderers
6.71952
MovieCrimeDrama
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

Le chauffeur (uncredited)