Jolanda Tudor

A traumatic event – a sudden suicide attempt – opens a gap in the everyday life of a family of three. Their lives change fundamentally, as if they've been pulled into a war invisible to everyone else. The plot is limited to the most acute, a short period of time and a situation that boils down to the most important thing – to save a loved one. The film was based on the personal experience of the director, who also plays the leading role.

After years of working abroad, Mirjana returns to her small conservative village in the Dalmatian Hinterland, with her parents welcoming her with open arms. However, their demeanor quickly changes once she confesses to being pregnant and not knowing who the father is. Fearing the societal stigma this might impose on both her and them, they decide to find Mirjana a local husband, however, no choice seems to suit both parties.

The film focuses on Andreja, a young woman who lives with her parents in an atmosphere where each member of the family lives in their own world, burdened by their problems, without real communication or closeness. The film explores themes of misunderstanding and distance within the family.

After several miscarriages, Tereza's gynecologist, in an attempt to cheer her up, jokes she should try to conceive with a different partner. This remark shakes up her monotonous life and steers it in a new direction.

A joint team of Croatian and Czech police officers solves both minor and major crimes on the Adriatic Riviera and gradually unravels the mystery of the death of the partner of one of them.