Iren Krivoshieva

Five strangers are invited to a luxurious hotel for a high-stakes poker game. What begins as a contest for fortune quickly spirals into something far more dangerous. As tensions rise and secrets surface, the players realize the stakes aren’t just about money—they’re about survival. In a night of escalating peril, trust becomes a weapon, and every choice could seal their fate.

When a tired factory worker Christo Panov going home from work gets embroiled with a dispute with a bus driver, leading to threats of assault by the driver, that's bad enough. Then an irate passenger files charges against the driver. After the driver appears on the factory worker's doorstep with his wife and three children, pleading with him not to testify, he easily agrees. However, soon he learns that the woman who brought charges against the driver is now being charged by with slander. No matter what he does, someone will suffer unneccessarily.

Stephan is a sculptor. He refuses to do work that compromises his integrity. He has a guardian angel he talks to. We can't see him but we can hear his voice commenting on events Stephan gets involved in. As he crosses paths with the Artist, the Professor, the Director, the Poet, the Musician, the Actress and the Beloved, a world of characters arises to display a whole array of personalities and lives that share the spark of the creative spirit but also the lack of successful career. The voice of the angel reflects upon patronage in art and protecting your talent against corruptive forces, yet not through escapism but by learning the rules of the game.

In the last week of her summer trip to her dead grandmother's village, librarian Slavina is faced with a difficult choice. Either throw away the books of the village, obeying the corrupt regulations of the chief ì Dimitrova, or save the only source of information for the elderly population, vowing to exile in the village where time has stood still for 40 years.

The title of the film is taken from the popular Bulgarian song. This is a film about the life of a common Bulgarian worker. The action focuses on his family, his relatives, and his friends.

A teenage girl's rebellion through drugs becomes a metaphor for the struggle between individuality and totalitarianism. Amidst the political upheaval of 1968, Sybilla (the "Countess") is sent to a girls' re-education camp when she is caught using drugs. After a failed affair and an abortion, Sybilla's drug use lands her in a mental clinic where she resists efforts to remold her personality. Based on a true story.

The action in the film takes place in a remote Bulgarian village. A certain conflict takes place between the new-coming young people and the old villages because of the water.