Maruja Bustamante

An autofiction about Tencha de Sagastizabal: psychoanalyst, estate of Carmelo Arden Quin, actress, and fat woman. A queer fairy tale that is linked in the documentary. What happens when hegemony does not reign on the screen? Tencha Reina canonizes other ways of seeing the world and questions the supremacy of subtlety.

Vera, the Mom, is stressed out of her mind and she decides to take a vacation away from her family, so Victor, the dad, has to take time off work to take care of the family.

One lazy afternoon in the outskirts of the city, two women's worlds colide when they turn a casual chit-chat into a battlefield, unable to prevent the inevitable: a domestic tragedy. Based on the director's play of the same name, performed by the same actresses.

Film from Andrés Andreani

Mateo and Camila, a couple that allow each other being unfaithful with a unreachable someone chosen by each.

Three men and a woman meet for a few days on an island in the Tigre. The relations between them are ambiguous.

A queer fantasy about a woman who escapes to an inhospitable town south of the Argentine Atlantic coast in search of salvation. Loneliness and despair take her on an unusual journey towards her resurrection where an interdimensional portal opens where chronological time unfolds in multiple dimensions. This country legend is known as the Wild Woman myth. Or it could be the fantastic game of two non-binary girls.

Clever, curious and young, lucky Elisa has been selected for work placement in the North. While everything she’s heard about the North seems idyllic, the trouble is that the few people who do go there don’t ever come back.

Humanity no longer exists, only Fluor and Carlix, two ghosts in sportswear, remain. They wander among the remains of an extinct civilization, one in search of a Wi-Fi connection, the other in search of the head of a giant cetacean. A story of encounter and friendship, punctuated by an ultimate playlist : that of the end of the world.

Bel Gatti can’t have sex, so her therapist suggests she make a film about it, turning her supposed external trauma into a boomerang. We witness the daily narration of her life, with her babysitting job, visits to her mother and grandmother, her real and fictional kisses and her personal search. The landscape is also populated by dildos, drag performances and an actor possessed by Andy Warhol himself. Everything passes through filters, gifs, stickers, post-contemporary aesthetics and the closeness that the length of the director’s arm gives us for this intimate social network diary, a hyper-documentary that tries to interpret this hypersexualised society. And fun, a post-humorous fun. Would you dare to laugh?

When people are unexpectedly locked in, their 'monsters' emerge from the depths of themselves, without control or logic.