Tilo von Berlepsch

Acting

Tilo von Berlepsch

Born December 30, 1913 · Kassel, Germany

Died April 8, 1991 · aged 77

No biography available.

Known For

The Horror of Blackwood CastleThe Horror of Blackwood Castle · 1968
The Horror of Blackwood Castle
★ 6.51968
MovieCrimeHorror
Scotland Yard must discover why people are being murdered by a monstrous dog at Blackwood Castle.
RosemaryRosemary · 1958
Rosemary
★ 5.81958
MovieDramaComedy
West Germany in '50s is becoming an economic superpower. In such climate, Rosemarie is just one of many enterpreneurs who wants her piece of new fortune. She uses her charms to bring members of West German industrial elite to her bed. There she finds business secrets and later sells them to French competition. However, when scandal errupts, Rosemarie would find that she can't beat the system.
The Man with the Glass EyeThe Man with the Glass Eye · 1969
The Man with the Glass Eye
★ 5.51969
MovieCrimeDrama
A man is found dead in a London hotel. The knife is still firmly stuck in the victim's chest, and Inspector Perkins strangely finds a glass eye in his jacket pocket. Kurt after that a second, mysterious murder happens: A city-famous dancer of the Las Vegas Girls, who perform at the London Odeon Theater, is poisoned. Is there a connection between the pretty dancer and the hotel guest? Inspector Perkins and his colleagues are pressed for time. The "man with the glass eye" strikes deadly again and again. A first clue leads Scotland Yard to a billiard club, where one has to show a glass eye as an admission ticket.
The Marriage of Mr. MississippiThe Marriage of Mr. Mississippi · 1961
The Marriage of Mr. Mississippi
★ 5.51961
MovieComedy
Florestan Mississippi, a public prosecutor by profession, visits a lady named Anastasia and, while drinking coffee with her, convicts her of poisoning her husband. At the same time, he asks for her hand in marriage, as he too has killed his wife with poison; the marriage is to be the "atonement" of the two poisoners. The four allegorical personifications in this comedy are, in addition to the loveless, absolute justice in the form of the prosecutor Mississippi, perfect equality, represented by the world revolutionary Saint-Claude, Christian love, embodied in the down-and-out, alcoholic tropical doctor Count Uebelohe-Zabernsee, and finally the "Frau Welt" of the old mystery play – Anastasia, who falls for everyone and betrays everyone, loves nothing but the moment, and dies with an invoked untruth on her lips.
The College Girl MurdersThe College Girl Murders · 1967
The College Girl Murders
★ 6.81967
MovieCrimeThriller
Police try to track down a hooded serial killer who murders his victims with a combination of acid and poison gas.
Morale 63Morale 63 · 1963
Morale 63
★ 6.31963
MovieComedyDrama
The young Marion is arrested by the police for pimping, prostitution and indecent exposure. Reporter Axel Rottmann sense a lucrative story for his newspaper. He makes a deal with Marion, to tell her story.
Das LiebeskarussellDas Liebeskarussell · 1965
Das Liebeskarussell
★ 3.31965
MovieComedy
An episodic film, telling four erotic tales: Angela isn't sexually satisfied by her husband, so she simulates sleep-walking to visit her neighbor across the street every night; when his bathtub runs over, shy Peter gets to meet his sensuous neighbor Lolita; at a high-school reunion his former students pull a prank on Prof. Hellberg and make him believe he cheated on his wife while being drunk; Sybill has a good time during a break at the opera with the famous conductor Cramer.
The Hunchback of SohoThe Hunchback of Soho · 1966
The Hunchback of Soho
★ 6.01966
MovieCrimeMystery
A woman is kidnapped and her identity is stolen by criminals attempting to collect her inheritance.

Filmography

Sort
The Marriage of Mr. MississippiThe Marriage of Mr. Mississippi · 1961
The Marriage of Mr. Mississippi
★ 5.51961
MovieComedy
Florestan Mississippi, a public prosecutor by profession, visits a lady named Anastasia and, while drinking coffee with her, convicts her of poisoning her husband. At the same time, he asks for her hand in marriage, as he too has killed his wife with poison; the marriage is to be the "atonement" of the two poisoners. The four allegorical personifications in this comedy are, in addition to the loveless, absolute justice in the form of the prosecutor Mississippi, perfect equality, represented by the world revolutionary Saint-Claude, Christian love, embodied in the down-and-out, alcoholic tropical doctor Count Uebelohe-Zabernsee, and finally the "Frau Welt" of the old mystery play – Anastasia, who falls for everyone and betrays everyone, loves nothing but the moment, and dies with an invoked untruth on her lips.

Außenminister

Arsène LupinArsène Lupin · 1971
Arsène Lupin
★ 7.71971
SeriesAction & AdventureDrama
Arsène Lupin is a French TV show which was co-produced with German, Canadian, Belgian, Dutch, Swiss, Italian and Austrian TV stations. It was only loosely based on Maurice Leblancs novels. Georges Descrières' portrayal of Arsène Lupin showed more similarity to Graf Yoster than to Maurice Leblanc's original. He behaved in the first place as a perfect gentleman who never got angry. He was always relaxed, because whatever could possibly had bothered him in daily life was taken care of by his butler. It wasn't questioned how he had come to his financial independence although the series sometimes discreetly implied that he was a professional criminal. Besides rescuing damsels in distress Lupin took on criminals, competing with their wit and intelligence. Either he stole paintings from rich people who had to be considered white-collar criminals or he acted as a detective who derailed criminal schemes. However, when he was attacked, he could defend himself effortlessly by using elegant jujutsu methods. Among the guest stars were German actors such as Günter Strack and Sky du Mont. Jean-Paul Salomé said in his commentary on the DVD version of his film Arsène Lupin he had like this series as a child. German TV, one the investors, would broadcast the show eventually between 18:00-20:00 o'clock because it was only allowed to show commercials within that very timeslot. For them to get a financial return on investment the show had to be appropriate for families and also for children who would watch it alone. Subsequently it was nearby to ask to defuse and flatten some of Leblanc's plots in order to avoid possible complaints that could force the station to broadcast the show beyond the "Vorabendprogramm".

Baron von Augstadt