Laurence Mercier

In a most unusual, near menage a trois, Charlotte is a terrified young singer who is forced to hide out at the home of her ex-boyfriend -- her current male companion has been murdered in his apartment, and she fears the worst. The trouble is that Mathieu, her ex, is happily living with his new love Christine.

When her husband goes missing at the beach, a female professor begins to mentally disintegrate as her denial of his disappearance becomes delusional.

Two retirees obsessed with their desire to know everything put their knowledge into practice in a constantly awkward way.

A collaboration in which Robert Wilson and Heiner Müller let Molière die, imagine his death in tableaux with text passages recited by Müller himself. "Cinema watches Death at work." Wilson's actors watch Molière die: their vigil is hard work. Müller's comment: "The poem watches a dying man at work, his name is Molière. The poem is not a film. The film watches an actor playing a dying man called Molière."

A company, not wanting to pay for their chemicals to be dumped properly, put some into a truck of milk, which eventually kills three girls. The girls then return from the dead to seek bloody revenge.

Aging beautician Angèle, already wounded by a long-ago romance, gets awkwardly dumped at a train station. Witnessing how she turns around a humiliating situation, younger sculptor Antoine becomes so smitten that he breaks up with his fiancée and sets out to win Angèle's heart. Meanwhile, Angèle attempts to quash the budding romance of her young co-worker, Marie, and a much older widowed client, despite their obvious rapport.

A clique of four young teachers at a high school looks critically at their colleagues. To avoid falling in the same routine, they bring new ideas into the school lessons and play little games and pranks in their spare time -- sometimes get even more childish than their pupils. When they get opposition from the other teachers, they play tricks to get rid of them.

A long parade of actors and actresses pop up in an unconnected series of skits, vignettes, and sight gags in this comedy anthology by Jean Curtelin. Among the sketches performed is one with Jean Carmet playing a man from the sticks woefully burdened with the challenge of getting through a dog food commercial on less than one tank of intelligible French. Another skit shows a silent duel between an airport custodian and an automatic door, while another with the renowned Michel Galabru sets up a strange teacher-student exchange.