Felix Ahrens

Twelve-year-old Marcel doesn't know where he belongs. In search of friendship, he believes that he has finally found the way to solve his problems. His plan works - but not in the way he expected.

A police officer is forced to use her service weapon and tries to come to terms with the fact that she has killed a man.

Die Pfefferkörner is a German television series produced by Der Kinderkanal. The peppercorns are five friends from Hamburg: Jana Holstein Coutre, Natasha "Tascha" Jaonzäns, Philip "Fiete" Overbeck, Cem Gülec and Vivien "Vivi" Overbeck, Fiete's eight year old sister. After school, the young detectives meet at a high level of a spice warehouse of the company Overbeck & Associates, which belongs to Fiete and Vivi's parents in the first part, but is later given to Fiete and Vivi to look after. Here, in the historic warehouse district, the five friends have their headquarters. With smarts, combined delivery and support of the Internet, they find their cases here. The detectives convict polluters, animal dealers and drug smugglers. They also help each other with personal problems they encounter. Cem has lost his parents in a car accident and sometimes feels sad and lonely. Jana lives with her divorcee mother, a lawyer who is rarely at home. Natasha comes from Latvia. Her parents initially have very strict rules in terms of her education, that make Natasha unhappy. Fiete has problems showing his feelings and hides them behind grumpiness and hostility towards girls, until he falls in love with Natasha. Vivi is suffering from her role of the youngest member of the group. She believes that she must constantly struggle for recognition.

Shows the interaction between Hamburg police officers and paramedics.

Toni, who has Asperger’s syndrome, and Valerie, who has Tourette’s syndrome, have been a happy couple for over a year. When Valerie’s grandmother dies, however, the two face a major decision: whether to buy her grandmother’s run-down house in the village and start a new life. A life in which the routine-loving Toni cannot hold on to the structures he is accustomed to.