Jordi Prats

J. is depressed. E. lives peacefully. S. tries to get back with his wife. G. resorts to anxiolytics. P. plays seduction games. María and Sara exchange their husbands. L. calls his lover in a peculiar way.

Inés, Irene and Ivonne gather at their mother's house to attend their father's funeral; they will not return until a year after for the anniversary of their father's death, and it is at that precise moment that everyone will have to face another setback.

A group of eight thirtysomethings search for happiness in their relationships.

Portabella’s first feature, co-scripted by poet Joan Brossa, became one of the most influential works of the Barcelona avant-garde, although like all his early films, it circulated only in an underground fashion. Eschewing dialogue, the director constructs a non-narrative story in fragments that reveal the daily lives of an adulterous couple interspersed with a cryptic stream of unrelated imagery. The title of this homage to directors including Eisenstein, Antonioni, Bergman, and Buñuel refers to the 29 “black years” of the Franco dictatorship. — chicago.cervantes.es