James C. Bradford

Robert J. Flaherty’s follow-up to Nanook of the North shifts from the Arctic to the South Seas, portraying Samoan village life with a painterly eye. Blending ethnographic detail with a romanticized “Gauguin idyll,” the film celebrates daily rituals, communal traditions, and the passage into adulthood, suffused with what Flaherty called “pride of beauty, pride of strength.”

The world is still reeling from the assassination of JFK - but has yet to lose his kid brother Bobby. In the midst of all this, a reluctant hero by the name of Lucien Rivard becomes enmeshed in a web of global political intrigue and corruption.

A young man just released from prison can't find work because no employer will hire an ex-convict. Broke and hungry, he steals money off of a painter. The painter, however, takes pity on him and decides to help him get his life back together.

An American dancer on a tour of pre-Boleshevik Russia falls for a young army officer, and the feeling is mutual. However, the officer's father is the Grand Duke of Russia, and he has designs on the girl himself--not letting a minor detail like his already being married bother him--and refuses to let his son marry her.

August Bolte, the richest man in a settlement in German East Africa in the period before World War I, is called "Mamba" by the locals, which is the name of a deadly snake. Despised by the locals and the European settlers alike for his greed and arrogance, Bolte forces the beautiful daughter of a destitute nobleman to marry him in exchange for saving her father from ruin. Upon her arrival in Africa, she falls in love with an officer in the local German garrison. When World War I breaks out, Bolte, unable to avoid being conscripted, foments a rebellion among the local natives.

Young Brierly struggles to save his father, Major Brierly, from the clutches of alcohol after the Great War. At the same time, he prepares Major Brierly's horse, which served bravely with the Major at the front, for the Kentucky Derby.

The Mad Empress is a 1939 American historical drama film depicting the 3-year reign of Maximilian I of Mexico and his struggles against Benito Juarez.

Schlitz is a tourist in the White Mountains of New Hampshire. Ignoring posted warnings which say that you shouldn't climb Mount Washington (the tallest mountain in New England) in bad weather, Schlitz pushes onward up the mountain, briefcase in hand. He gets lost in the snow, becomes entangled in mischief spun by a quirky hermit, and finally ends up skiing down Tuckerman's Ravine at perilous speeds, losing his briefcase several times.