Stephen Thrower

Set in a London gentleman's outfitters in 1976, and taking inspiration from the emotions aroused by a fetishist love of corduroy, leather and tight trousers, two men enter Sir John's Trouser Bar but little do they know the sexual adventures that await them inside.

In a one-room stone building near a dilapidated mansion, a demon has condemned an artist to living behind a painting in a state of limbo, forcing him to watch in vain as trespassers' lives are taken by a ravenous bed.

After lying to their parents and running off to see a rock concert, five teens leave their suburb neighborhood of Islamabad and travel into the wild only to have their van break down and they get set upon by not only flesh eating zombies, but a ghoulish hitchhiker, and a blood-soaked, burqa-wearing killer.

Pioneer erotic film maker Peter de Rome talks about his life and work.

The Angelic Conversation is a lyrical, haunting film about a young man’s search for love in a dreamlike landscape. Its tone is set by the juxtaposition of slow moving homo-erotic images and opaque landscapes through which two men take a journey into their own desires. Offscreen, Dame Judi Dench recites a sequence of Shakespeare's sonnets that counterpoint the action. Jarman called it, “My most austere work, but also the closest to my heart.”

After serving jail time for a mysterious crime, Bill and Karl get out of jail and become preoccupied with figuring out who turned them in to the police. On top of that, the "family business" is on the rocks, and the motley crew of criminals who operate out of Down Terrace aren't feeling terribly trusting of one another. It might look like an ordinary house, but at Down Terrace, the walls are closing in..

Bonus DVD that came with the Deluxe Edition reprint of Stephen Thrower's book "Beyond Terror" published in the UK by FAB Press. Featuring a re-mastered collection of every known Lucio Fulci movie trailer.

Stephen Thrower offers some background informations and analysis on the film "La maldición de Frankenstein", directed by Jess Franco.

For over 60 years teams within the US Air Force and Intelligence services exploited and manipulated beliefs about UFOs and ET visitations as part of their counterintelligence programs. In doing so they spawned a mythology so powerful that it captivated and warped many brilliant minds, including several of their own. Now, for the first time, some of those behind these operations, and their victims, speak out, revealing a true story that is part Manchurian Candidate and part Close Encounters of the Third Kind.

Imagining October explores art and politics in the final years of the Cold War, drawing connections between pre-Perestroika Russia and Thatcherite Britain. The title refers to the 1917 Bolshevik revolution and Sergei Eisenstein’s propaganda film October: Ten Days That Shook the World 1928. The project began during a trip to the Soviet Union sponsored by the British Film Institute in October 1984. Jarman was invited to present The Tempest in Moscow and Baku with fellow filmmaker Sally Potter and film theorist Peter Wollen and asked in return to make a short film for the London Film Festival in November.

Stephen Thrower examines locations used in Jess Franco movies.

A brief history of Grindhouse cinema presented by Emily Booth