Pierre-Henri Deleau

Three portraits of young people today who are confronted with an indifferent and uninspiring society, whether at school, at home, or in the workplace.

Student Eric kills time by spying on his neighbors. Compulsively taking notes on everything within binocular range from his bedroom window, he harasses his neighbors by sending unsigned notes and making their private affairs public. When they discover his identity and draw him in, will this release him from his solitude, or confirm in his mind that he will always be the outsider?

During the summer of 1968, a young French woman staying in an isolated country house reflects upon her involvement in the events of that May.

Pierre used to be a top level football player but he quit. Now he is both a prestidigitator and a stool pigeon, benefiting from the protection of the chief inspector. In his dreams he is haunted by the horrors he saw (he took part in ?) during the Algerian War. Pierre lives with Marie, a young singer who performs at the same cabaret as him. Lately Marie has decided to start a career in the showbiz and Pierre is worried. Nothing alarming happens though, until a diabolical inspector, jealous of his superior, decides to manipulate Pierre. He also puts pressure on Poussin, Marie's pianist, and on Joseph, the night club's master of ceremony. What he wants is to compromise his superior and take his place. Will Pierre escape this ruthless trap?

Hugo Santiago and writers Juan José Saer and Jorge Semprún move back and forth between Paris and the city of Aquilea in a shadowy fable about exile. The frontier between one city and the other begins to blur after Bandoneonist Rodolfo Mederos is visited by his sister, a member of a guerrilla organization.

On a Mediterranean cruise, a young man hired as a tour guide is intrigued by the beauty of a female interpreter hiding behind her sunglasses. He makes advances to her by venturing into a series of strange stories.