Bill Foley

In Dublin circa 1911, John Cassidy (Rod Taylor), an impoverished idealist, whose ambitions are restricted by the demands of looking after his family, journeys through the social injustices of Dublin life, involving himself with the rowdy tramway-men strike, dawdling with prostitute Daisy Battles (Julie Christie), and seeking a better life. He falls in love with bookshop assistant Nora (Dame Maggie Smith) who encourages him toward a life of writing. Finding success at the Abbey Theatre, his unorthodox views estrange him from family, friends, and his own past.

Michael Flaherty (Craig Wasson), an American Vietnam veteran of Irish descent, returns to Belfast to join the cause of his grandfather, Seamus (Sterling Hayden). Soon he finds that he is not as welcomed in his home country as he imagined he would be. Even worse, he's the target of an IRA assassination plot designed to make the British forces look bad in order to elicit financial support from wealthy Americans.

Bosco Hogan plays Joyce's alter-ego, Stephen Daedelus, growing up in Ireland in the early part of the 20th century, and at odds with the strictures of his Catholic home and family. The film charts his search for knowledge and understanding, during a decline in his family's circumstances, that leads him to revelations on the nature of art, beauty, and politics. However, his personal renaissance makes him feel unwelcome in his own country, and forces him to make a choice between exile as artist or staying and facing personal defeat.

A small town plans to erect a monument in memory of an IRA rebel killed during the 1920s. The son of the English Colonel who killed the rebel objects to this.

An executive, passed over for a promotion, sends an angry letter to his bosses while in Ireland. Learning he's up for a better job, he rushes to retrieve the letter.

Set in 1815, a young Englishman touring Europe encounters more than he bargained for. His pursuit of the beautiful Countess St. Alyre brings him into contact with the Marquis D'Armanville and other odd characters. A series of bizarre murders occur, bringing our hero to the borderland of nightmare.

Based on real stories, using both actors and non-actors, and filmed on location in Dublin, A Week in the Life of Martin Cluxton (1971) is a rare example of Irish social realism. After years in an industrial school, Martin Cluxton (Derek King) returns home to Dublin but finds considerable prejudice and little opportunity. Broadcast on RTÉ, it was directed by Brian MacLochlainn, co-written by Caoimhín Ó Marcaigh and MacLochlainn, with music by jazz great Louis Stewart.