Barbara Miller

After a genial spirit shows the benevolent Ebenezer Blackadder visions of his unscrupulous ancestors, he resolves to mend his generous ways.

Police hunt for mental hospital out patient Simon Lacey, who has been unwittingly handing out barbiturates to children as sweets.

"Honestly, mam, it's all a load of rubbish. I mean, I read me horoscope and things like that, for a joke... but this." A group of women gather to have their fortunes told by a drunken clairvoyant.

An anthology of short plays shown on BBC Television between 1965 and 1973, used in part at least as a training ground for new writers, on account of its short length, and which therefore attracted many writers who later became well known.

Blackadder traces the deeply cynical and self-serving lineage of various Edmund Blackadders throughout British history, from the muck of the Middle Ages to the frontline of The Great War.

Z-Cars or Z Cars is a British television drama series centred on the work of mobile uniformed police in the fictional town of Newtown, based on Kirkby, Merseyside. Produced by the BBC, it debuted in January 1962 and ran until September 1978.

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.

Dixon of Dock Green was a BBC television series following the activities of police officers at a fictional Metropolitan Police station in the East End of London from 1955 to 1976. Some episodes were later remade as a BBC radio series in 2005 and 2006.

Dr Finlay's Casebook is a BBC television series that was broadcast from 1962 until 1971. Based on A. J. Cronin's novella Country Doctor, the storylines centred on a general medical practice in the fictional Scottish town of Tannochbrae during the late 1920s.

Middle-aged Terry and June Medford are beginning to find the trials of life more difficult as they try to succeed in their daily lives. The couple have just moved to Purley, south-east London... Aunt Lucy and the mynah bird have disappeared, as had the occasionally visiting daughters. Terry and June now mixed with friendly next door neighbour Beattie; Terry's chatty work colleague, Malcolm; and their gruff boss Sir Dennis Hodge. Otherwise, things were much as before, with Terry's pigheaded childishness causing no end of problems, usually thwarting June's attempts at leading a cosy life.

Seven British construction workers escape Britain's ever growing dole queues and travel to Germany to work on a site in Dusseldorf. We follow their trials and tribulations of working away from home and away from the women they left behind.

No Place Like Home is a BBC situation comedy written by Jon Watkins and stars William Gaunt and Patricia Garwood as Arthur and Beryl Crabtree, a middle-aged couple who plan for a quiet life once their children have left home. Sadly, it is not to be. No Place Like Home was broadcast for five series between 1983 and 1987, with an early appearance by Martin Clunes.

Victoria Wood: As Seen on TV is a British sketch comedy series created by and starring comedian Victoria Wood with Julie Walters, Celia Imrie, Duncan Preston, Susie Blake and Patricia Routledge. The show broadcast on BBC Two between 1985 and 1987, and included sketches that became famous in the United Kingdom; these included one-offs like Two Soups and regular features such as Acorn Antiques, as well as musical performances by Wood including her most well-known number, The Ballad of Barry and Freda.

Camera Three is an American variety show devoted to the arts. It ran on CBS from January 22, 1956 to January 21, 1979, and moved to PBS in its final year to make way for the then-new CBS News Sunday Morning. The PBS version ran from October 4, 1979 to July 10, 1980. Camera Three featured programs showcasing drama, ballet, art, music, anything involving fine arts. One of its most notable presentations was a condensation of Marc Blitzstein's leftist opera The Cradle Will Rock. Presented on November 29, 1964, it was a dramatic demonstration of how far television had come since its early days, in its willingness to present a work that surely would have been banned from the airwaves during the era of Joseph McCarthy.