Yona Rozenkier

It is Thursday and another war is hitting the northern part of Israel hard. Three brothers reunite in their childhood kibbutz to bury their father. Two days later the youngest has to go to war, and while he seeks guidance from his older siblings who have both experienced the battlefield, the homecoming soon spins out of control.

In the darkest days of the Second World War, Yulia and Hugo, a Jewish mother and son, escape from a Ukrainian ghetto. Fearing for his safety, Yulia entrusts her boy to the care of her friend Mariana, a sex worker who lives in a brothel. Hugo is placed in a closet, nominally for his safety, but from which he rarely leaves. With little view of the outside world, he conjures up ghosts and scenarios. But over time, Mariana brings the boy out and in doing so transforms his life.

Ten directors, Israeli and Palestinian embarked on a journey to create short films, fiction or documentary, inspired by water.

Five uniquely moving films about motherhood—bubbling up in the grocery store, the cemetery, or even a car ride—come together in this omnibus film set in Sarajevo.

A father pays his son a visit after years of conflict and turns up in the middle of his house move. The son, Vincent, reacts violently to that intrusion. Emotionally weakened, the father involuntarily reveals the true reason of his visit, which revives the tension between them. Within a few minutes, the anger, the memories and the crossed looks move the two men deeply.

Heading out to a stressful day at work, Mori, a devoted family man, is completely unaware of the tragic mistake he has just made. We Had a Forest touches on an unfathomable and horrifying human failing.

A family from an Israeli kibbutz takes their ailing patriarch for a ride on a lazy Sunday in this warm and moving snapshot of their encounter with the ephemerality of the natural world.

Amal (Hope) is a film co-directed by Arab and Jewish filmmakers and inspired by true events. Amal is a mother who sets out to rescue her son Samer from his preordained fate. When her son is involved with a shooting incident in the village, Amal acknowledges that if the warring clan is not stopped, her son will become the next victim. She fights with all her might for a “Sulha” (reconciliation). But the threat of chaos looms large, and Amal faces powerful forces that tear her apart and engulf the entire village. In the end, fate proves stronger, and Amal is swept into the bloodshed she has fought so hard to prevent.