Acting

Hsieh Tehching

No biography available.

Known For

Time Clock Piece (One Year Performance 1980–1981)Time Clock Piece (One Year Performance 1980–1981) · 1981
Time Clock Piece (One Year Performance 1980–1981)
10.01981
MovieDocumentary
For one year, Tehching Hsieh punched a worker’s time clock located in his studio, on the hour, every hour. Marking the occasion by taking a self-portrait on a single frame of 16mm film, the resulting reel documents a year in his life at approximately one second per day – a pace that is polar opposite of the enduring length of the original performance. The punch cards, witnessed by a third party for authenticity, and other ephemera, document Hsieh’s life restructured around this highly repetitive task.
Tehching Hsieh: One Year Performance, Outdoor Piece 1981 - 1982Tehching Hsieh: One Year Performance, Outdoor Piece 1981 - 1982 · 1982
Tehching Hsieh: One Year Performance, Outdoor Piece 1981 - 1982
1982
MovieDocumentary
In his third one-year performance piece, from 26 September 1981 through 26 September 1982, Hsieh spent one year outside, not entering buildings or shelter of any sort, including cars, trains, airplanes, boats, or tents. He moved around New York City with a packbag and a sleeping bag.
Tehching Hsieh: One Year Performance, Art Documents 1978 - 1999Tehching Hsieh: One Year Performance, Art Documents 1978 - 1999 · 2000
Tehching Hsieh: One Year Performance, Art Documents 1978 - 1999
2000
Movie
One Year Performance 1983-1984 (Rope Piece)One Year Performance 1983-1984 (Rope Piece) · 1984
One Year Performance 1983-1984 (Rope Piece)
1984
Movie
From 6 P.M. on July 4, 1983, until 6 P.M. on July 4, 1984, Tehching Hsieh and Linda Montano were tied together continuously with an 8-foot rope which passed loosely around their waists and was sealed at each end. Their intention was not to touch each other except accidentally—about 60 brush-bys and one brief hug by Montano occurred during the year. They slept in separate beds a few feet apart. When one showered, the other waited outside the door, but aside from this they were never in separate rooms. Both remained celibate for the duration. This film was shot on black-and-white super 8mm. [Overview courtesy of Artforum]

Filmography

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