Budi Dalton

An ancient coin from the Sunda Kingdom draws Miheng, Ohim, Ece, and Neng Eti into a dangerous adventure tracing forgotten historical traces, when the small artifact unlocks the secrets of the past and the future.

People in a small village try to get rich by winning the lottery. Short on luck, they attempt to enlist the help of evil spirits by stealing their tombstones, and only offering to return them for the correct lottery numbers. But playing with the dead comes with consequences - which throw the village into chaos.

A family's harmony is disrupted when the patriarch falls ills and the youngest son inherits ownership of their humble mom-and-pop shop.

Behind the Scenes of Dilan (Di Balik Layar Dilan) is an approximately 75-minute observational documentary that captures Ariel NOAH’s journey as he is entrusted with the role of the adult Dilan—a decision that immediately sparked public debate. Amidst the commentary, expectations, and the weight of nostalgia attached to the figure of Dilan, the film goes beyond simply observing the acting process; it dissects how a fictional character transforms into a collective memory contested by many. From Bandung as the birthplace of the myth, through intimate reading rooms, to the final day of shooting, the documentary follows Ariel's transformation as a human being, a public figure, and a new vessel for an icon. Ultimately, the film poses one profound question: when a myth changes bodies, who is truly being tested—the actor, the character, or the audience's own memory?

Sukri and Surti had to return to Cibeureum because Sukri's father died. However, after the funeral, Sukri's family could not immediately return to Jakarta, because his mother was involved in a criminal case. Meanwhile, their two children, Bayu and Gerhana, are starting to feel comfortable because they have met extraordinary new friends, Cempaka and Sangaji, go on an adventure to help solve the family's problems in an unexpected way. The sense of family is tested in the face of challenging situations.

Three brothers who never get along are forced to compete for the inheritance in the form of a guest house owned by Dahlan, their father. Adam, the eldest son who blames his father's harsh attitude for his life's failures. Laras, the middle child who is independent and idealistic. And Dicky, his father's favorite youngest child who was pampered since childhood and grew up as a naughty young man. Who will be the heirs of choice?

Bukan Cinta Biasa is a film-type romantic comedy that was released on May 7, 2009. The film is the screen play is very fun and entertaining. Flavored by setting and ambience of Indonesian pop music, this film will make the hearts of the audience to sing, but it also can shed tears.

Set against the backdrop of the Japanese occupation and traditional Betawi culture, the story centers on Sayuti, a brash local champion consumed by jealousy over his dancer girlfriend, Nonon. His insecurity deepens with the arrival of Komar, an educated urbanite who quickly gains the villagers' admiration. Unbeknownst to Sayuti, Komar and his comrade Malik are actually resistance fighters operating undercover within the Japanese ranks to steal weapons. When Sayuti impulsively decides to prove his worth by attacking the occupiers directly, his reckless heroism threatens to blow the cover of Komar's carefully planned operation.