Karla Baumgardner

Knowing Gaze is a loving roast of gay culture. This animated short moves fluidly through a series of interconnected vignettes—from online personas to offline hookups, from the thrift store to the dance floor to the bathhouse. Rendered in expressive brush strokes, the story unfolds as candid conversations carried by acidic dialogue and vulnerable interior monologues. At its core, the film probes the tenderness and tension of modern gay identity. Beneath a million witty one-liners, the soul cries out.

Shannon Amen unearths the passionate and pained expressions of a young woman overwhelmed by guilt and anxiety as she struggles to reconcile her sexual identity with her religious faith. A loving elegy to a friend lost to suicide.

Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.

This animated short tells the story of a ferocious polar bear turned to stone by an Inuk shaman. The tale is based on emerging filmmaker Echo Henoche's favourite legend, as told to her by her grandmother in her home community of Nain, Nunatsiavut, on Labrador's North Coast. Hand-drawn and painted by Henoche in a style all her own, Shaman is the first collaboration between the Labrador artist and the NFB.

Josh Crooks is a promising teen hockey star in a sport where Black players like him are chronically underrepresented. Ice Breakers reveals the buried history of a pioneering Black hockey league in Atlantic Canada, as Crooks discovers that his unshakable passion is tied to a rich and remarkable heritage.

The Korean legend of Ungnyeo, a bear reborn as a woman, becomes a percussive and mesmerizing riff on the themes of transformation and quarantine. Produced as part of the 13th edition of the NFB’s Hothouse apprenticeship.

Inuit artist Asinnajaq plunges us into a sublime imaginary universe—14 minutes of luminescent, archive-inspired cinema that recast the present, past and future of her people in a radiant new light. Diving into the NFB’s vast archive, she parses the complicated cinematic representation of the Inuit, harvesting fleeting truths and fortuitous accidents from a range of sources—newsreels, propaganda, ethnographic docs, and work by Indigenous filmmakers. Embedding historic footage into original animation, she conjures up a vision of hope and beautiful possibility.

An imaginative boy suffers the stifling ordinariness of his family's weekly Sunday ritual.

As a child in Vietnam, Thao’s mother often rescued ants from bowls of sugar water. Years later they would return the favour. Boat People is an animated documentary that uses a striking metaphor to trace one family’s flight across the turbulent waters of history.

Deeply rooted in artistic families, young Luben Boykov and Elena Popova escape the repressions of communist Bulgaria and find refuge on the island of Newfoundland in 1990. With their 2-year-old daughter and sixty dollars they begin to build a new life. At the height of what many would define as success, they leap again, understanding that the greatest risk for art, and for love, is taking it for granted.

The distinctive three-note chime of the Toronto subway kicks off a zippy tale of bike theft and survival in an unfamiliar new town. Produced as part of the 13th edition of the NFB’s Hothouse apprenticeship.

A polar bear must try his luck finding a job in the big city when the last of his Arctic ice environment disappears. It’s hard fitting into the human world, however, so this bear finds a more creative solution to his predicament. This film was made as part of the 8th edition of the NFB's Hothouse apprenticeship.

Are we there yet? When the kids act up in the back seat, a family road trip gets knocked hilariously off course. Produced as part of the 13th edition of the NFB’s Hothouse apprenticeship.

According to the official history of Afghanistan, ruthless destruction has always prevailed over art and creation; but there is another tale to be told, the forgotten account of a diverse and progressive country, seen through the lens of innovative filmmakers, a story that survives thanks to a few brave Afghans, a small but very passionate group that secretly fought to save a huge film archive that was constantly menaced by war and religious fanaticism.

In a frenzied attempt to break the isolation, a man drums his head against the wall, unleashing a battery of brightly hued hallucinations. Produced as part of the 13th edition of the NFB’s Hothouse apprenticeship.

Directed by Japanese filmmaker Ryo Orikasa, this animated short was inspired by Henri Michaux’s book of poetry and drawings of the same name, about his experiences with mescaline. The film explores the limits of language and perception, creating connections between sound, meaning, shapes and movement.

A choir of tropical frogs performs infectious pop in delightfully unsettling animation from Costa Rican-Canadian artist Bianca Shonee Arroyo-Kreimes. Riffing on karaoke companion videos and the swipe-n-scroll conventions of handheld media, she infuses candy-coloured digital animation with the spectre of ecological collapse.

In this children's video a little girl asks a little pine tree to stay green through the winter to remind people of spring. The little tree must disobey King Winter to stay green. He gets thrown into King Winter's dungeon. Anneka sets off to save her friend with Piney, the pinecone gnome, and Little Acorn.

A look into the creative process and frenzy behind the third edition of the NFB Animation Hothouse. This zippy, mini-documentary reflects the youthful iconoclasm of the six emerging filmmakers and Jason Lee, the documentary director.

With candor, humour and courage, a group of African-Canadian women challenge cultural taboos surrounding female sexuality and fight to take back ownership of their bodies. Combining her own journey with personal accounts from some of her radiant, endearing friends, co-director Habibata Ouarme explores the phenomenon of female genital mutilation and the road to individual and collective healing, both in Africa and in Canada.

In this autobiographical animated short, Elise Simard crafts the story of a young girl seeking self-discovery and rebirth. Drifting between real and imagined events, the film uses time-lapse photography with ink and pastels, creating a haunting, compassionate exploration of addiction and existence.

On a misty morning in the fall of 1985, a small group of Haida people blockaded a muddy dirt road on Lyell Island, demanding the government work with Indigenous people to find a way to protect the land and the future. In a riveting new feature documentary drawn from more than a hundred hours of archival footage and audio, award-winning director Christopher Auchter (Now Is the Time) recreates the critical moment when the Haida Nation’s resolute act of vision and conscience changed the world.

Adopted Montreal filmmaker Adrian Wills discovers, on camera and in real time, the startling truths of his complex beginnings in Newfoundland. Shocking details drive Wills to the core of his birth mother’s resilience, and ultimately his own. In this moving feature documentary that combines 16mm footage and contemporary images with deeply personal conversations, Wills’ voyage transforms from an urgent search for identity into a quest to give a quiet girl her voice.

Meneath: The Hidden Island of Ethics dives deeply into the innate contrast between the Seven Deadly Sins (Lust, Gluttony, Greed, Sloth, Wrath, Pride and Envy) and the Seven Sacred Teachings (Love, Respect, Wisdom, Courage, Truth, Honesty and Humility), as embodied in the life of a precocious Métis baby. Brought to life by Terril Calder’s darkly beautiful stop-motion animation, her inner turmoil of abuse is laid bare with unflinching honesty. Convinced she’s soiled and destined for Hell, Baby Girl receives teachings that fill her with strength and pride, and affirm a path towards healing. Calder’s tour-de-force unearths a hauntingly familiar yet hopeful world that illuminates the bias of colonial systems.