Adrian Cooper

A documentary about Joao Guimaraes Rosa's stay in Nazi Germany. The film captures the experience of the Brazilian vice-consul in Hamburg between 1938 and 1942, at the height of the Nazi regime and during the first years of the World War II. Using his writings from that time, as well as archive pictures, documents, survivors testimonies, and an unpublished interview with him, the film reveals new biographical aspects of one of the greatest writers in Brazilian history.

A documentary about the history of the anarchist-led workers' movement in Brazil. It shows the transformation of immigrants into the first urban workers and chronicles the most important strikes, the successes and defeats of the movement, from the end of the 19th century until 1922.

A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Brazil and Africa.

Free adaptation of Machado de Assis' classic. The narrator is a rich dead man, who tells us about his life and times, making fun of both.

From its very title, Cláudio Kahns and Antônio Paulo Ferraz's Santo e Jesus, Metalúrgicos is crystal clear about where it stands and about its messianic flair. Through a wordplay with the religious connotation of the names of the two men, murdered during the worker strikes of the late 1970s in São Paulo, it associates sainthood and Christ himself with the working class. That association is reaffirmed throughout the film, from the very beginning, including by a priest. The martyrdom of metalworkers Nelson Pereira de Jesus and Santo Dias da Silva is the starting point to denounce the working conditions faced by factory workers, and the repression which ensues whenever they try to resist them. However, the film also presents us with the 'official' version of the facts, going so far as to feature interviews with the man who killed Nelson. Obviously, it sides with the workers, as it conveys the strength of the oppressed and the impudence of the oppressors.

With death getting near, a retired officer remembers the most important passages in his life and his participation in historical events in Brazil, such as the Lieutenants' Movement, and the 1964 coup.

Colonel Furtado struggles to keep his lands, the Sobradinho Farm, and win the heart of his cousin Esmeraldina. In the process, he fights big beasts, experiences the taste of a bohemian life in town, fends usurers and thieves off, and uses all his cunning to get rid of haunting entities. His rival is the man he was brought up with, Pernambuco Nogueira, a werewolf.