Senoaji Julius

Pertiwi, a strong and independent woman who took care of her three children: Adam, Sekar, and Isham until they became adults and left their hometown. Her husband died after losing the village head election against his rival, Janji Upaya. The children of Pertiwi, who blamed Janji Upaya for their father's death, harbored deep feelings of resentment towards Janji Upaya.

A young man discovers he is the descendant of a powerful warrior and must unlock his hidden abilities to fight an ancient enemy who seeks to alter history and destroy the world.

A woman of nobility battles patriarchal norms in order to improve educational access for women in early 1900s Indonesian society.

Nabil (Kirana Larasati), has just escaped from the threat. Takur (Mike Lucock), Indian descent moneylender, hires thugs to collect debts from Nabil's father, a drunkard, gambler, and does not have responsibility. Because the father is never at home, the moneylender charges to Nabil's mother. Seeing this, Nabil takes the responsibility and says that she would pay all her father’s debts. Nabil promises to return the Rp 100 million debt within five days. Then, Nabil gets a phone call informing that her father is hospitalized. When she arrives at the hospital, the father is unconscious, because he has been through heart surgery. The father won gambling. He was so happy, so he got heart attack, The father brought home certificate as a guarantee for the medical expenses.

Pengki manage to sneak into the house of the Mafia Boss, who then escapes with a pendant and also evidence of the list of women trafficking.

The story of Sultan Agung Hanyakrakusuma, the king of Mataram when he was still a teenager until he becomes a king.

Knowing the headquarter and home of Betawi suburbs will be evicted, Pengki, Somad, and Achie sabotage illegal casinos in Jakarta. They drain all the gambling money to buy the land that will be evicted.

Ambar is a young mother who is forced to work in a sand mine after her husband mysteriously vanishes. But what she faces is not just the harshness of life, but also the intangible horrors that evoke old wounds and trauma.