Perla Santalla

Four stories about sexual initiation in adolescence.

The story of several women who reach motherhood in difficult conditions.

A single pregnant teenager goes to live with her uncle, a mediocre entertainer in a seedy cabaret.

A group of secret agents faces a gang led by a scientist who kidnaps children in order to create superior beings.

A fighter lives haunted by the memory of a friend whom he believes he killed in the ring.

In a boring marriage a model-photographer attracts the husband and a young man to the woman.

A provincial girl who sells pots tries to obtain the bells that the church of her people needs.

The fight of a widowed and honest policeman against the prostitution mafia that murdered his mother and kidnapped his daughter.

Luis Sandrini plays a college professor who, because of his freethinking attitudes and concerns for moral questions over matters of business, has more in common with his students than his colleagues.

A middle-class man earns a millionaire fortune that he decides to use to pay Argentina's foreign debt.

A man and his daughter, tired of fights and routines, miss school and work the same day.

The story of the rivalry between two families, the Rosettis and the Pagliaros. Vicente Rosetti and Ernesto Pagliaro have known each other since they were children; they were schoolmates and close friends until life, ideas, and love separated them.

Anthology series, in which every episode introduces fictionalized versions of real cases about women who, for different reasons, ended up committing murder.

Gina Falcone and Marcelo Ricciardi are in love; however, fate—and her brother, who disapproves of the union—ultimately tear them apart. Unaware that Gina is carrying his child, Marcelo enters into a marriage arranged by his father to a woman named Elsa. While in hiding at a convent, Gina gives birth to a daughter and names her Fiamma. However, the Mother Superior suggests she hand the child over to the father, and Gina, in the throes of a feverish delirium, agrees. Marcelo marries, and after recovering from pneumonia, Gina retreats to another convent, where she takes her vows and assumes the name Sister Piedad. Years later, Gina learns the whereabouts of her daughter and of Marcelo—now a widower with another daughter named Virginia. She then becomes "The Strange Lady" (*La Extraña Dama*), a mysterious woman who, at the end of each day, sheds her habit to visit her daughter and the man she has never stopped loving.