Agustín Campos

The adventures, fortunes and misfortunes of resourceful peasant Juan Quin Quin - in turns bullfighter, guerrilla fighter and sacristan - who never resigns himself to his fate. Set against the backdrop of 1950s Cuba and steeped in the island's countryside traditions, this comedy is considered the first successful Cuban experimental film.

Episode 2 of the stories of jokes in the street.

The dictator Anastasio rules with an iron fist backed by business-men making deals and speeches about building canals, completely disconnected from the chaos amongst the population. Anastasio is rumored to have died after an incident with a mirror and a violent confrontation after literally crowing as a cock amongst his chicken followers. The afterlife is shown as a casino where Anastasio strong-arms his way into heaven. Divination is used to find the next dictator, and a sailor and his black, peasant sidekick find themselves attempting to start a revolution with an organ, dragging it through the countryside, as the movie explores the country, culture and music.

A young woman from the country has a son from a young man of a rich family. The rich grandfather of the man, owner of the farm, takes the child away to educate him. A few years later the young woman marries a poor farmer. She rejects the child she has with him and only understands she loves him when the rival brothers fight against each other in a duel.

For the centenary of Cuban patriot Jose Marti, the 1950s pre-Castro dictator Batista collected funds for an official film commemoration and hired renowned director Fernandez from Mexico to erect this memorial work.