Hugo Mac Dougall

An attempt to bring the famous novel by Dumas to the cinema, where the promenades of Montevideo such as Parque Rivera and the Castillo del Parque Rodó are transformed into French settings.

A young horse breeder will show his grandfather how they can adapt to the times and prove his theory.

A man loves a woman of strong character but she abandons her

Group of tango musicians picks up an aspiring young chanteuse at one of their whistle stop engagements; film focuses on their collective path to stardom, romantic conflicts between the woman and two guys in the band and some peripheral crime-drama stuff.

In 1840, a caravan of carts headed from Buenos Aires to Córdoba carrying merchandise, ammunition and prisoners, against the background of the struggles between the Unitarians and the Federalists.

At the core of this enormously bleak melodrama, there is a beautiful, passionate woman (Florence Marly, Chenal's wife) who capriciously oscillates between two men (Chiola, De Paula), even though she knows her fate is fatally linked to one of them.

Based on a quechua legend, Malambo tells the story of a woman who lost her husband and son because of the greedy patrón of an hacienda. She swore that she would never remove the cloth over her eyes until her dead were avenged by the deaths of the patrón and his daughter. Nature seems to be on her side, since a drought has afflicted the land. Her other son, Malambo, accepts the duty of revenge. Malambo is no normal human: he is the runa-uturungo, or Hombre Tigre, of Quechua lore, and he cannot be wounded by bullets. He leads the obreros to rise in revolt and defeats the patrón. However, instead of killing the patrón's daughter--the blind Urpila --he falls in love with her, thereby breaking his mother's heart.

After the May Revolution occurred, a young man abandoned his royalist uncle and became a drummer for the revolutionary army and his father's guide.