Alicia Vignoli

With the help of a rich young woman, a singer who lives in the precarious housing area that existed in Puerto Nuevo comes to fame.

A 1941 film.

Medical father and son in conflict over two conceptions about the practice of medicine as a result of a bad and inopportune medical practice carried out by the son to a patient of the father.

A modest employee of exemplary behavior is mistakenly accused of committing a major fraud.

A group of young women share an apartment and they put forward their studies to love, but they will end up in love.

A young man starts working as a laborer in his father's shipyards and discovers a series of injustices.

Two women from the same family, one from 1830 and the other from 1930, the first subject to the rigor of the customs of her time and the other in an atmosphere of independence and freedom.

To save the daughter of a condemned man, an ice cream man pawns his word of honor.

An office worker must replace a twin brother who is a boxer.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.