Vicente Wallenstein

Paddington travels to Peru to visit his beloved Aunt Lucy, who now resides at the Home for Retired Bears. With the Brown Family in tow, a thrilling adventure ensues when a mystery plunges them into an unexpected journey through the Amazon rainforest and up to the mountain peaks of Peru.

A study about memory, an example of obsession or a prison in itself. Rodrigo chooses to submerge himself in a memory, regardless of what got him there or what might happen. Within this dream Rodrigo is happy. When confronted by the memory itself we are left with a question, is this a cry of victory, or the acclamation of defeat?

A portrait of a first relationship, previous to the external world, the one of the family. In a winter in Lisbon, father, mother, son and daughter trace the path of a day by themselves. A film that develops through characters who have for their antagonist life itself, with nothing (and everything) heroic about it.

Scheherazade narrates three more tales, supposedly selected from the 470th, 484th and 497th nights of her ordeal: “It hath reached me, O auspicious King, that a Judge will cry instead of giving out her sentence. A runaway murderer will wander through the land for over forty days and will teletransport himself to escape the Guard while dreaming of prostitutes and partridges. A wounded cow will reminisce about a thousand-year-old olive tree while saying what she must say, which will sound none less than sad!

A historical documentary and filmic poem that interprets the story of José Francisco Pereira, an enslaved man who was tried by the Lisbon Inquisition for sorcery and sodomy. An adaptation of Pereira’s trial is interwoven with passages from Saint Peter Damian’s passionate 11th-century condemnation of sodomy as an unrepeatable sin in Letter 31 (also known as The Book of Gomorrah), and Walter Benjamin’s iconic elucidations on historicism and progress in Theses on the Philosophy of History. The film revisits the morally and legally charged figure of the sodomite as a violent historical construction and expression of ecclesiastical, institutional, and colonial patriarchy.

From a certain idea of Rousseauian rural purity, “Colmeal” is settled in the small homonymous village located in Riba-Côa, also known as ghost village, due to the effects of the rural exodus and the inland desertification. In an allegorical way, quite worked on the natural elements and the sound elements, the film tells the story of a young man who lives isolated and who obsessed by a woman who comes from the city to spend her summer vacation. Gradually, the young man tries to overcome the inability to deal with his emotions, seeking to discover himself, emotionally and sexually. Márcio Laranjeira and Sérgio Brás d’Almeida are debutants in Curtas Vila do Conde and propose a return to the themes of growing pains and transition to adulthood, with young people trying to find their place in the world and to define their personality, especially in context of social and loving relationships.

A large, time-worn house sits on a towering, untouchable pedestal. Ressaca Bailada – Filme Concerto follows individuals as they navigate their relationship with freedom, unity, and isolation within this setting. Celebrating tradition while confronting and questioning it, all against a backdrop of music that shapes the journey.