Mehmet Özekit

Niyazi is a humble factory worker whose life is turned upside down when he wins the “altılı ganyan” (six-horse accumulator) lottery. Suddenly, everyone from neighbours to total strangers, claiming to be his long-lost relatives, crowds around him hoping for a share of his fortune. Thanks to his quick wit, Niyazi manages to outsmart these opportunists and keep his winnings.

The film deals with the migration from the village to the city with a realistic narrative. The immigration phenomenon described in workers' hands in a factory refers to both the modernization process in the period and the unionization. Hacer emigrates to Istanbul with his father, two children and his wife. Her husband left her and she was a helpless. Hacer was influenced by the union of the working factory, who owns the crippled friends. Hacer thought very much about to traditions versus modernization. It is the last of the film of director Ömer Lütfi Akad's Bridal-Wedding-Recoup trilogy. And it is still the inaccessible film of Turkish cinema history with its movie theme, cast, and acting success.

Osman, who lives a poor life with his wife, children, and mother-in-law, earns his living as a porter. His debts to the local shopkeepers and his landlord have piled up like a mountain. To make matters worse, he is constantly belittled by his wife Leman and mother-in-law! One day, the neighborhood ticket seller Şakir forces him to buy a lottery ticket. Osman hides the ticket somewhere but forgets where he put it. When Osman learns that the jackpot has been won by one of the tickets sold by Şakir, he mistakenly believes it is his and is overcome with joy.

About the robbery attempt of a journalist known for his clumsiness. Yaman, despite being clumsy, is a courageous journalist. No one takes her seriously except Gül in the newspaper she works for. Everybody makes fun of him. Gül is in love with him.