Victoria Pérez

Ten stories, each inspired by one of the ten commandments.

In 1948, more than one hundred Latin American drivers took part in the continent's greatest sporting epic in Touring Car Racing: the South American Grand Prix. They crossed five countries over two months on a 10,000-kilometer route between Buenos Aires and Caracas.

In a dystopian future, Lucía, a young philosophy student, secludes herself in her grandparents' summer house. Her solitude is only hindered by the ‘Sistema Único de Salud’, which summons her for a new compulsory vaccination that she does not want to comply with, and she has only five days to solve the problem. Time moves forward between memories and encounters that Lucía has with her partner, her best friend and an unexpected visitor. In a poetic key, the film proposes a reflection on individual freedom and freedom of thought as the last trench in the face of a coercive system.

The subject is women and their participation in politics, and this is used as a pretext for a humorous, provocative, female perspective on official (male) discourse and the almost nonexistent participation of women in Uruguayan politics.

A young journalist searches for a woman, Moraima (now 36), who was given up for adoption when she was two years old and whose family has known nothing about her since. In the process of investigating in a remote area of the Dominican Republic where children being put up for adoption is common, she finds other cases that plunge her into a roller coaster of emotions. The long and complicated investigation leads her to a town, El Seybo, where she will make many discoveries.

An orphan child arrives at a house courtyard where the neighbours must organise a flamenco show to avoid the house from being sold by its owner...